SKOPAL, Pavel. Risky Business? Czechoslovak Film Industry and International Co-productions. In Havighurst Center Lecture, Miami University, 27.3.2017, Oxford. 2017.
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Basic information
Original name Risky Business? Czechoslovak Film Industry and International Co-productions
Authors SKOPAL, Pavel (203 Czech Republic, guarantor, belonging to the institution).
Edition Havighurst Center Lecture, Miami University, 27.3.2017, Oxford, 2017.
Other information
Original language English
Type of outcome Requested lectures
Field of Study 60405 Studies on Film, Radio and Television
Country of publisher United States of America
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14210/17:00099512
Organization unit Faculty of Arts
Keywords in English co-productions; transnational cinema; Barrandov
Tags rivok
Changed by Changed by: doc. Mgr. Pavel Skopal, Ph.D., učo 18130. Changed: 5/11/2018 23:47.
Abstract
To make international film co-productions is always a “risky business” demanding an investment of trust from all of the involved partners. A plenty of agents with very divergent motivations needs to find a consensus. It is especially the complexity and inconsistency of the agents´ goals what make the state-socialist co-productions such a specific mode of practice: governmental bodies, communist party functionaries, heads of the state industry, private producers, chiefs of creative units, dramaturges, directors, distributors – all these agents followed their own interests, made pragmatic alliances, invested trust into partners, and risked their political or artistic careers, money, prestige, and sometimes even personal freedom, to implement a project. The talk will focus on examples of viable and successful partnership of a state-socialist film studio with producers from both sides of the Iron Curtain, and will contrast these cases of success, which were based on mutual trust, with opportunistic, short-lived partnerships. As case studies will be used, among others, Three Nuts for Cinderella, Pan Tau, or Firemen´s Ball. The examples should help us to understand what made the distinction between productive, future-oriented partnership, on one side, and opportunistic “game without iteration”, on the other side.
Links
MUNI/A/1077/2016, interní kód MUName: Kontinuita a změna v dějinách kinematografie
Investor: Masaryk University, Category A
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