The Hollywood sound paradox: A regress of game music to film
music origins

J 2017

The Hollywood sound paradox: A regress of game music to film music origins

FLAŠAR, Martin

Základní údaje

Originální název

The Hollywood sound paradox: A regress of game music to film music origins

Autoři

FLAŠAR, Martin (203 Česká republika, garant, domácí)

Vydání

Hudba – Integrácie – Interpretácie, Nitra, Univerzita Konštantína Filozófa v Nitre, 2017, 1338-4872

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60403 Performing arts studies

Stát vydavatele

Slovensko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Kód RIV

RIV/00216224:14210/17:00099692

Organizační jednotka

Filozofická fakulta

DOI

http://dx.doi.org/10.17846/HII.2017.20.247-273

Klíčová slova anglicky

sound design; film music; Hollywood sound; game music; software; hardware; authenticity; regression

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 25. 4. 2018 08:59, doc. PhDr. Martin Flašar, Ph.D.

Anotace

V originále

Roughly after a half century of the development of game sound and music, computer technology reached such a niveau that it could bring the most fantastic and never heard sounds woven into wholly original and subtle complexes that are fully immersive and ergodic. Instead of this we are experiencing a large romantic orchestra playing in a Hollywood movie style of the 1930s and later. That is the gist of what I am tending to call “the Hollywood sound paradox”. It seems there are two clashing tendencies in game music development: one technologically innovative and second stylistically regressive. In this paper I am questioning the process of constructing more and more sophisticated technologies to obtain older and older music genres. Is it possible that game music loses its authenticity originally based on specific media sound? This study provides three short analyses to suggest main stylistic categories of the current game music.

Návaznosti

MUNI/A/1055/2016, interní kód MU

Název: Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část IV.

Investor: Masarykova univerzita, Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část IV., DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

FLAŠAR, Martin. The Hollywood sound paradox: A regress of game music to film music origins. Hudba – Integrácie – Interpretácie. Nitra: Univerzita Konštantína Filozófa v Nitre, 2017, roč. 20, č. 1, s. 247-273. ISSN 1338-4872. Dostupné z: https://dx.doi.org/10.17846/HII.2017.20.247-273.

@article{1405544,
   author = {Flašar, Martin},
   article_location = {Nitra},
   article_number = {1},
   doi = {http://dx.doi.org/10.17846/HII.2017.20.247-273},
   keywords = {sound design; film music; Hollywood sound; game music; software; hardware; authenticity; regression},
   language = {eng},
   issn = {1338-4872},
   journal = {Hudba – Integrácie – Interpretácie},
   title = {The Hollywood sound paradox: A regress of game music to film music origins},
   url = {https://www.uk.ukf.sk/data/music/20/247-273-Flasar.pdf},
   volume = {20},
   year = {2017}
}

TY  - JOUR
ID  - 1405544
AU  - Flašar, Martin
PY  - 2017
TI  - The Hollywood sound paradox: A regress of game music to film music origins
JF  - Hudba – Integrácie – Interpretácie
VL  - 20
IS  - 1
SP  - 247-273
EP  - 247-273
PB  - Univerzita Konštantína Filozófa v Nitre
SN  - 13384872
KW  - sound design
KW  - film music
KW  - Hollywood sound
KW  - game music
KW  - software
KW  - hardware
KW  - authenticity
KW  - regression
UR  - https://www.uk.ukf.sk/data/music/20/247-273-Flasar.pdf
L2  - https://www.uk.ukf.sk/data/music/20/247-273-Flasar.pdf
N2  - Roughly after a half century of the development of game sound and music, computer technology reached such a niveau that it could bring the most fantastic and never heard sounds woven into wholly original and subtle complexes that are fully immersive and ergodic. Instead of this we are experiencing a large romantic orchestra playing in a Hollywood movie style of the 1930s and later. That is the gist of what I am tending to call “the Hollywood sound paradox”. It seems there are two clashing tendencies in game music development: one technologically innovative and second stylistically regressive. In this paper I am questioning the process of constructing more and more sophisticated technologies to obtain older and older music genres. Is it possible that game music loses its authenticity originally based on specific media sound? This study provides three short analyses to suggest main stylistic categories of the current game music.
ER  -

FLAŠAR, Martin. The Hollywood sound paradox: A regress of game music to film music origins. \textit{Hudba – Integrácie – Interpretácie}. Nitra: Univerzita Konštantína Filozófa v Nitre, 2017, roč.~20, č.~1, s.~247-273. ISSN~1338-4872. Dostupné z: https://dx.doi.org/10.17846/HII.2017.20.247-273.

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