Detailed Information on Publication Record
2018
Iconicity in independent noun phrases in print advertising : A multimodal perspective
PELCLOVÁ, JanaBasic information
Original name
Iconicity in independent noun phrases in print advertising : A multimodal perspective
Authors
PELCLOVÁ, Jana (203 Czech Republic, guarantor, belonging to the institution)
Edition
1. vyd. Amsterdam, Persuasion in public discourse : Cognitive and functional perspectives, p. 281-302, 22 pp. Discourse Approaches to Politics, Society and Culture 79, 2018
Publisher
John Benjamins Publishing Company
Other information
Language
English
Type of outcome
Kapitola resp. kapitoly v odborné knize
Field of Study
60203 Linguistics
Country of publisher
Netherlands
Confidentiality degree
není předmětem státního či obchodního tajemství
Publication form
printed version "print"
References:
RIV identification code
RIV/00216224:14210/18:00103865
Organization unit
Faculty of Arts
ISBN
978-90-272-0138-6
UT WoS
000813447800013
Keywords in English
language iconicity; visual iconicity; typographic iconicity; noun phrases; premodification; postmodification; multimodality; advertising discourse; persuasion
Tags
Tags
International impact, Reviewed
Změněno: 15/3/2023 08:40, Mgr. Jana Pelclová, Ph.D.
Abstract
V originále
The chapter studies the interplay of multimodal iconic signs that construct the meaning of independent noun phrases in advertisements promoting food products. The methodology consists in approaching the diagrammatic iconicity found in language through the perspective of Kress and van Leeuwen’s (1996, 2001) analytical framework of multimodal text and the perspective of typeface design and impression variables as described by Henderson, Giese and Cote (2004). The analysis reveals that independent noun phrases iconicize the process of production, the ingredients used, the variety of products, and gustatory perception. The language diagrammatic iconicity in the analyzed advertisements is achieved by a sequential ordering of modifiers that mirrors either chronological order or the order of importance, and by means of figurative language, lexical cohesion, and a lack of explicit syntactic relations. Both typographic and visual iconicity tend to objectify the semantic dimension of the diagrammatic iconicity. At the same time, the visual iconicity mirrors a close spatial relation between the consumer and the product.
Links
MUNI/A/1065/2016, interní kód MU |
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