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@proceedings{1455841,
author = {Kubart, Tomáš},
booktitle = {3. CIJIET Congreso International de Jóvenes Investigadores en Estudios Teatrales, 24.10.2018, Santiago de Compostella},
keywords = {Body suspension; suspension; the Mandans; performativity; ritual; Fakir Musafar},
language = {eng},
title = {Body suspension : the Performativity of Pain},
url = {https://jovenesestudiosteatrales.wordpress.com/2017/11/30/primera-entrada-del-blog/},
year = {2018}
}
TY - CONF
ID - 1455841
AU - Kubart, Tomáš
PY - 2018
TI - Body suspension : the Performativity of Pain
KW - Body suspension
KW - suspension
KW - the Mandans
KW - performativity
KW - ritual
KW - Fakir Musafar
UR - https://jovenesestudiosteatrales.wordpress.com/2017/11/30/primera-entrada-del-blog/
L2 - https://jovenesestudiosteatrales.wordpress.com/2017/11/30/primera-entrada-del-blog/
N2 - When the American artist Roland Loomis contributed in 1980‘s, under the pseudonym Fakir Musafar, to Theatre Journal with his disturbing photographs, on which he posed hanging on hooks made from surgical stainless steel, the phenomenon of „body-suspension“ was known just to communities of body art and performance art artists, and to an arising subculture called „modern primitives“. Bodysuspension is a form of body art, or „body modification“, during which the skin of hang-uper is temporarily pierced with hooks, on which he/she is then suspended. Thanks to Fakir Musafar, Stelarc (Stelios Arcadiou) and the performance art and body art artists, the ritual „oh-kee-pa“ of Missouri-river Native American tribe Mandan (North Dakota) was spread across all social classes of the Euro-American culture.
ER -
KUBART, Tomáš. Body suspension : the Performativity of Pain. In \textit{3. CIJIET Congreso International de Jóvenes Investigadores en Estudios Teatrales, 24.10.2018, Santiago de Compostella}. 2018.
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