BELLÓN AGUILERA, José Luis. Pericles, caudillo de Atenas : Escolastica y creatividad en La democracia ateniense (1966-1975), de Francisco Rodriguez Adrados (Pericles, the Athenian Caudillo : Scholasticism and Creativity in Francisco Rodríguez Adrados’ La democracia ateniense (1966-1975)). Logos : Anales del Seminario de Metafísica. Madrid: Ediciones Complutense, vol. 2018, No 51, p. 57-79. ISSN 1575-6866. doi:10.5209/ASEM.61643. 2018.
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Basic information
Original name Pericles, caudillo de Atenas : Escolastica y creatividad en La democracia ateniense (1966-1975), de Francisco Rodriguez Adrados
Name (in English) Pericles, the Athenian Caudillo : Scholasticism and Creativity in Francisco Rodríguez Adrados’ La democracia ateniense (1966-1975)
Authors BELLÓN AGUILERA, José Luis (724 Spain, guarantor, belonging to the institution).
Edition Logos : Anales del Seminario de Metafísica, Madrid, Ediciones Complutense, 2018, 1575-6866.
Other information
Original language Spanish
Type of outcome Article in a journal
Field of Study 60101 History
Country of publisher Spain
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14210/18:00104586
Organization unit Faculty of Arts
Doi http://dx.doi.org/10.5209/ASEM.61643
UT WoS 000448346500004
Keywords (in Czech) Athénská demokracie; Adrados; Textový centrismus; Jaeger; Schachermeyr.
Keywords in English Athenian Democracy; Adrados; Textual-centrism; Jaeger; Schachermeyr
Tags kontrola_RIV, rivok
Tags International impact, Reviewed
Changed by Changed by: doc. José Luis Bellón Aguilera, PhD., učo 116683. Changed: 14/2/2024 07:32.
Abstract
La obra de Francisco Rodriguez Adrados, La democracia ateniense (1966 y 1975, segunda edicion con cambios), fue canonica desde la fecha de aparicion, en la segunda fase del tardofranquismo y en su edición fnal (1975) hacia el final de la dictadura. El presente trabajo analiza, primero, sus bases ideologicas; segundo, la priorización del comentario de textos y de las herramientas de la flología en el analisis historico, es decir, el textocentrismo de la obra, y apunta los limites y logros del helenista espanol.Nuestra lectura se fundamenta en un analisis textual y contextual. Explora la elección de las fuentes principales del análisis de Adrados, el impacto de la filología e historiografía alemanas decimonónicas y de la primera mitad del XX (Jaeger, Schachermeyr), y examina su concepción de la historia, los logros, innovaciones y su lectura de la democracia ateniense, a caballo entre una visión progresista y crítica de las limitaciones de la misma, en comparación con las democracias representativas. Se considera la formación y la confguración del campo de la flología clásica en Espanna en el franquismo en el marco de la posguerra y cómo todo ello marcó La democracia ateniense, una obra seminal surgida de una forma de escolástica creativa.
Abstract (in English)
Francisco Rodríguez Adrados’ La democracia ateniense (1975) was canonical since its publication in 1966 (with a different title). The current article analyses, first, the ideological foundations of the work and, secondly, the prioritization of textual commentary and philological tools in historical analysis, that is, the textual-centrism of the book, pointing out also its accomplishments. The interpretation of our article is based in a textual as well as contextual analysis. It explores the intellectual networks and the confguration of the field of Classics in Spain in the formation of Adrados’s work. On the other hand, it reads the main sources and intertexts of La democracia ateniense, the German philology (Jaeger and Schachermeyr). The aim of this work is to understand the appropriation, limits, scope and ideological horizon of Adrados’ vision of Athenian democracy, as well as his achievements and innovations, the “scholastic creativity”. Adrados is one of the main founding fathers of Classics in Spain.
Links
MUNI/A/1050/2017, interní kód MUName: Románské jazyky a románské literatury (Acronym: ROMJAZLIT)
Investor: Masaryk University, Category A
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