“Digging in the Score” : Conceptual Metaphor Theory and Analyzing Opera Stage Direction

HAVLÍČKOVÁ KYSOVÁ, Šárka. “Digging in the Score” : Conceptual Metaphor Theory and Analyzing Opera Stage Direction. In Metaphor across contexts and domains : from description to application (RaAM 2018), 27.-30.6.2018, Hong Kong. 2018.

Basic information

• Original name: “Digging in the Score” : Conceptual Metaphor Theory and Analyzing Opera Stage Direction
• Authors: HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution).
• Edition: Metaphor across contexts and domains : from description to application (RaAM 2018), 27.-30.6.2018, Hong Kong, 2018.

Other information

• Original language: English
• Type of outcome: Presentations at conferences
• Field of Study: 60403 Performing arts studies
• Country of publisher: Hong Kong
• Confidentiality degree: is not subject to a state or trade secret
• RIV identification code: RIV/00216224:14210/18:00101429
• Organization unit: Faculty of Arts
• Keywords in English: Theatre; opera; metaphor; conceptual metaphor theory; Otakar Zich; Ota Zítek; Miloš Wasserbauer; Václav Věžník
• Tags: rivok
• Tags: International impact, Reviewed

Abstract

Czech and Slovak theatre directors of the 20th century reflected extensively upon the theory and practice of opera staging. This resulted in several published and unpublished writings of Czech and Slovak theatre directors. I aim to analyze conceptual metaphors that appear in the writings of Czech and Slovak opera directors and the role of conceptual metaphors in these documents. I rely on the Conceptual Metaphor Theory developed by Lakoff and Johnson (e. g. 1980) and further elaborated as the audiovisual metaphor theory by Fahlenbrach (e. g. 2010). The presentation focuses on conceptual metaphors in theoretical treatises on opera staging by Ota Zítek, Rudolf Walter, Miloš Wasserbauer, Václav Věžník and some others. My analysis reveals the presence of common conceptual metaphors in the directors’ writings. Literally “coming out of” (e.g. Wasserbauer, Věžník) or proceeding from the score, the directors stress the importance of concepts and ideas that they consider fundamental for their interpretation of an operatic work and for audience’s apprehension and perception of the opera. The application of Conceptual Metaphor Theory to the directors’ writings shows some common Czech and Slovak stereotypes in the theory and practice of opera stage direction.

Links

• GA16-20335S, research and development project: Name: Divadlo jako syntéza uměni: Otakar Zich v kontextu moderní vědy a dnešní potenciál jeho konceptů (Acronym: ZICHDIVADLO)

Investor: Czech Science Foundation