Detailed Information on Publication Record
2018
Dynamics of Evil : Two Stagings of Verdi’s Otello in the State Theatre in Brno (1967, 1989)
HAVLÍČKOVÁ KYSOVÁ, ŠárkaBasic information
Original name
Dynamics of Evil : Two Stagings of Verdi’s Otello in the State Theatre in Brno (1967, 1989)
Authors
HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution)
Edition
Shakespeare in Changing Cultural Paradigms, 29.-30.11.2018, Bratislava, 2018
Other information
Language
English
Type of outcome
Prezentace na konferencích
Field of Study
60403 Performing arts studies
Country of publisher
Slovakia
Confidentiality degree
není předmětem státního či obchodního tajemství
RIV identification code
RIV/00216224:14210/18:00104884
Organization unit
Faculty of Arts
Keywords in English
Shakespeare; Verdi; theatre; opera; scenography; metaphor; Wasserbauer; Věžník; Štolfa; Vychodil
Tags
Změněno: 6/4/2019 16:23, Mgr. Zuzana Matulíková
Abstract
V originále
In my paper I provide analysis of two productions of Verdi’s Otello in the State Theatre in Brno, directed by Miloš Wasserbauer in 1967 and Václav Věžník in 1989. Special attention is given to scenography of both productions as an evidence of key audio-visual metaphors incorporated in the directors’ conceptions. I focus on particular metaphors included in Shakespeare’s play that enter the stage via Verdi’s opera. Scenography – which I understand both as visual and audial means of expression – reflects the manipulation of human senses for the purpose of emphasising and expressing the key concepts of Shakespeare’s and Verdi’s work. I analyse dynamics / kinetics of scenography which is used to guide viewer’s senses through appeal to concept of evil.
Links
MUNI/A/1098/2017, interní kód MU |
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