DROZD, David. Zich as Theatre Critic : Expectations, Practice and Theory. In The Structural Approach to Art : Otakar Zich and the Prague Linguistic Circle Re-Considered, 9.-10.6.2018, Brno. 2018.
Other formats:   BibTeX LaTeX RIS
Basic information
Original name Zich as Theatre Critic : Expectations, Practice and Theory
Authors DROZD, David (203 Czech Republic, guarantor, belonging to the institution).
Edition The Structural Approach to Art : Otakar Zich and the Prague Linguistic Circle Re-Considered, 9.-10.6.2018, Brno, 2018.
Other information
Original language English
Type of outcome Presentations at conferences
Field of Study 60403 Performing arts studies
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW Program konference
RIV identification code RIV/00216224:14210/18:00101615
Organization unit Faculty of Arts
Keywords (in Czech) Otakar Zich; opera; kritika
Keywords in English Otakar Zich; opera; criticism
Tags rivok
Tags International impact
Changed by Changed by: doc. MgA. David Drozd, Ph.D., učo 16452. Changed: 25/4/2019 02:50.
Abstract
When introducing Otakar Zich, we usually stress his position between science and art, or more particularly describe him as kind of renaissance personality taking part in mathematics, collecting of folk songs, experimental psychology, music theory, composing chamber and chorus music, opera, theatre (especially opera) critic, aesthetician and last but not least theoretician of theatre. In terms of theatre his Aesthetic of Dramatic Art (1931) is final and synthetic work. In my paper I would like to draw our attention to Zich’s theatre reviews – it could provide us idea, how Zich applied his (early) concepts on theatre (and opera productions especially) long ago he started forming system of Aesthetics of Dramatic Art. Analysing this particular material we could see, how much is his theory of theatre influenced by and connected with actual theatre life of his times.
Abstract (in Czech)
Otakara Zicha většinou chápeme jako renesanční osobnost mezi uměním a vědou, skladatele, teoretika, kritika. Pokud jde o divadlo, je Estetika dramatického umění jeho vrcholnou prací. Ve svém referátu se zabývám Zichovými recenzemi - ty nám mohou dát představu o tom, jak Zich chápal divadlo (a operu) dávbno před tím, než začal koncipovat svou Estetiku. V analýze konkrétního materiálu uvidíme, jak moc je teorie teorie propojena a ovlivněna dobovým divadlem, které znal.
Links
GA16-20335S, research and development projectName: Divadlo jako syntéza uměni: Otakar Zich v kontextu moderní vědy a dnešní potenciál jeho konceptů (Acronym: ZICHDIVADLO)
Investor: Czech Science Foundation
PrintDisplayed: 29/9/2024 23:10