POSPÍŠIL, Tomáš. On (Film) Bodies and their Senses : Rereading Two African-American Independent Classics. In EBAAS 2018, 4-7 April, 2018, King's College, University College London, and the British Library. 2018.
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Basic information
Original name On (Film) Bodies and their Senses : Rereading Two African-American Independent Classics
Name in Czech O (filmových) tělech a jejich smyslech : Ohlédnutí za dvěma klasickými filmy afroamerického nezávislého filmu
Authors POSPÍŠIL, Tomáš (203 Czech Republic, guarantor, belonging to the institution).
Edition EBAAS 2018, 4-7 April, 2018, King's College, University College London, and the British Library, 2018.
Other information
Original language English
Type of outcome Presentations at conferences
Field of Study 50802 Media and socio-cultural communication
Country of publisher United Kingdom of Great Britain and Northern Ireland
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14210/18:00105934
Organization unit Faculty of Arts
Keywords (in Czech) Sweetbackova sladká píseň; Dcery prachu; smyslová zkušenost ve filmu
Keywords in English Sweet Sweetback Badass Song; Daughters of the Dust; sensual experience in movie
Tags rivok
Tags International impact, Reviewed
Changed by Changed by: Mgr. Igor Hlaváč, učo 342491. Changed: 8/3/2019 08:56.
Abstract
The paper focuses on two African American landmark films, Melvin Van Peebles’ radical feature Sweet Sweetback’s Baadasss Song (1971) and Julie Dash’s independent classic Daugther of the Dust (1991). Both films not only represent milestones in articulating the African American experience, but also invite a reading along the proposed panel lines: the former for its radical employent of the human body as an instrument of violent resistance, and, at the same time, a site of suffering (with considerable affective potential for the audience); the latter for it meticulous attention to the cinematic construction of the (female) body, its sensual experience (and its conscious subversion of the traditional iconography of slavery, white male dominance, and exploitation).
Links
MUNI/A/1003/2017, interní kód MUName: Profilace výzkumných zaměření v anglofonní lingvistické a literární vědě III (Acronym: PROVYZAN III)
Investor: Masaryk University, Category A
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