| PALLADINO, Adrien. Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch. Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova. Brepols Publishers, 2019, vol. 6, No 1, p. 88-107. ISSN 2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019025. |
Other formats:
BibTeX
LaTeX
RIS
@article{1527457,
author = {Palladino, Adrien},
article_number = {1},
doi = {http://dx.doi.org/10.1484/J.CONVI.4.2019025},
keywords = {interactivity of spaces; gaze; iconic presence; cultic images; pilgrimage},
language = {eng},
issn = {2336-3452},
journal = {Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova},
title = {Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch},
url = {http://hdl.handle.net/11222.digilib/141504},
volume = {6},
year = {2019}
}
TY - JOUR
ID - 1527457
AU - Palladino, Adrien
PY - 2019
TI - Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch
JF - Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova
VL - 6
IS - 1
SP - 88-107
EP - 88-107
PB - Brepols Publishers
SN - 23363452
KW - interactivity of spaces
KW - gaze
KW - iconic presence
KW - cultic images
KW - pilgrimage
UR - http://hdl.handle.net/11222.digilib/141504
L2 - http://hdl.handle.net/11222.digilib/141504
N2 - The sculptures of the Lausanne cathedral’s painted porch (1225–1235) are unique testimonies to a fully adorned and painted liminal zone. Focusing on the notions of movement and iconic presence, this article explores the potential liturgical and social functions of this space in relation to its sculptural imagery. It focuses particularly on circulation and threshold as experienced by pilgrims and other believers. Further, it deals with the notion of images’ capturing viewers’ attention by analyzing the Lausanne porch sculptures’ most striking features: their position, their polychrome decoration, and their gaze. This study contributes to understanding the role of medieval images, how they could accompany daily events, and how such images became witnesses to a believer’s once-in-a-lifetime, life-changing moment.
ER -
PALLADINO, Adrien. Captivated by Gaze : Sculpture as Witness at the Lausanne Cathedral’s Porch. \textit{Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova}. Brepols Publishers, 2019, vol.~6, No~1, p.~88-107. ISSN~2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019025.
|
