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@article{1527677,
author = {Foletti, Ivan and Belting, Hans and Lešák, Martin},
article_number = {1},
doi = {http://dx.doi.org/10.1484/J.CONVI.4.2019021},
keywords = {Iconic Presence; Notion of Icon; Movement; Migrating Art Historians},
language = {eng},
issn = {2336-3452},
journal = {Convivium},
title = {The Movement and the Experience of "Iconic Presence" : An Introduction},
url = {http://dx.doi.org/10.1484/J.CONVI.4.2019021},
volume = {6},
year = {2019}
}
TY - JOUR
ID - 1527677
AU - Foletti, Ivan - Belting, Hans - Lešák, Martin
PY - 2019
TI - The Movement and the Experience of "Iconic Presence" : An Introduction
JF - Convivium
VL - 6
IS - 1
SP - 11-15
EP - 11-15
SN - 23363452
KW - Iconic Presence
KW - Notion of Icon
KW - Movement
KW - Migrating Art Historians
UR - http://dx.doi.org/10.1484/J.CONVI.4.2019021
L2 - http://dx.doi.org/10.1484/J.CONVI.4.2019021
N2 - Although the notion of “iconic presence” had previously appeared in several various fields, in Medieval Art History, it started to be discussed mainly after the publication in 1990 of Bild und Kult, and further developed in Bildantropologie . Consequently, it became a quite widely diffused concept. The notion of “iconic presence” was re-discussed in 2016, introducing its explicit definition: “Iconic presence is presence in and as a picture. The physical presence of a picture in our world refers to the symbolic presence which it depicts” . The image is in this sense understood as a threshold between the tangible and imaginary world.
ER -
FOLETTI, Ivan, Hans BELTING and Martin LEŠÁK. The Movement and the Experience of ''Iconic Presence'' : An Introduction. \textit{Convivium}. 2019, vol.~6, No~1, p.~11-15. ISSN~2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019021.
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