k 2019

Crni Popaj Štefa Bartolića kao ostvarenje moralne periferije

PILCH, Pavel

Basic information

Original name

Crni Popaj Štefa Bartolića kao ostvarenje moralne periferije

Name (in English)

Štef Bartolić’s Black Popeye Beyond Moral Boundaries

Authors

PILCH, Pavel (203 Czech Republic, guarantor, belonging to the institution)

Edition

Periferno u hrvatskom jeziku, književnosti i kulturi, Katowice, Poland, 7.–9. 5. 2019, 2019

Other information

Language

Croatian

Type of outcome

Prezentace na konferencích

Field of Study

60206 Specific literatures

Country of publisher

Poland

Confidentiality degree

není předmětem státního či obchodního tajemství

References:

RIV identification code

RIV/00216224:14210/19:00109641

Organization unit

Faculty of Arts

Keywords (in Czech)

komiks; Štef Bartolić; morálka; dekadence; Pepek Námořník

Keywords in English

comics; Stef Bartolic; moral; decadence; Popeye the Sailor

Tags

International impact
Změněno: 21/2/2020 11:53, Mgr. Igor Hlaváč

Abstract

V originále

Strip-junak Crni Popaj, čiji je autor Štef Bartolić, pojava je u hrvatskom stripu toliko provokativna da zaslužuje pažljivo promatranje. Bartolićev izvrsni i dobro prepoznatljivi crtački stil se tu veoma lako uklapa sa tvrdom („hard-core“) pričom u kojoj poznati junaci američkih crtanih filmova i stripova o pomorcu Popaju posjeduju skroz drugačije osobine, bilo da su one fizičke ili psihičke. Popaj u glavnoj ulozi tog stripa izrasta u gadnu zvijer koja oko sebe širi strah i gađenje. U našem ćemo se izlaganju truditi pronaći odgovore na pitanje, je li Crni Popaj persona non grata za svako pristojno društvo, ili samo upozorava na zlo koje je skriveno u svatkom od nas. Je li njegova dekadentna i nihilistička brutalnost izraz poremećenja jednog jadnika, ili pokazuje na zarazu gubitka morala u cilejom društvu, samo na veoma upečatljiv i nasilan način? Crni Popaj ostvarenje je najgorih muških stereotipa i predrasuda, no ipak na kraju izgleda kao produkt mržnje, a ne njen proizvođač. Što ovaj parodičan no donekle i horor-strip govori o (ne samo) hrvatskom društvu, to je jedna od mogućih tajni, koje ćemo pokušati razotkriti na temelju semiotičke interpretacije spomenutog djela.

In English

Štef Barolić´s hero comics Crni Popaj is such a provocative phenomenon in Croatian comics that it requires careful examination. Bartolić´s outstanding and well-recognizable drawing style is being put together with hard-core story where well-known heroes of American cartoons and comics about Popeye the Sailor are being presented via totally different characteristics, both physical and psychical. In the main role of this comics, Popaj is becoming a beast that exude anxiety and disguise. In this paper we will try to find answers to the question whether Popaj is a persona non grata for every decent society, or whether it only points to the evil that is being hidden inside each of us. Is his decadent and nihilistic brutality just an expression of distortion of one wretch, or does it – in a very distinct and outrageous style – show the plague of demoralization in the whole society? Crni Popaj is the representation of the worst men stereotypes and prejudice, but at the end it seems to be a product of hate, not its contriver. What is being said about (not only) Croatian society in this family – but sometimes even horror – comics, that is one of the possible secrets, that we will try to expose by semiotic interpretation of the above-described piece of work.

Links

MUNI/A/1078/2018, interní kód MU
Name: Výzkum slovanského areálu: generační proměny
Investor: Masaryk University, Category A