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@article{1575480,
author = {Palladino, Adrien},
article_number = {2},
doi = {http://dx.doi.org/10.1484/J.CONVI.4.2019043},
keywords = {Interwar Europe; emigration; nationalism; Kondakov Institute; Wolfgang Born; freedom; shared culture; humanism},
language = {eng},
issn = {2336-3452},
journal = {Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova},
title = {The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s},
url = {https://doi.org/10.1484/J.CONVI.4.2019043},
volume = {6},
year = {2019}
}
TY - JOUR
ID - 1575480
AU - Palladino, Adrien
PY - 2019
TI - The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s
JF - Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova
VL - 6
IS - 2
SP - 128-135
EP - 128-135
PB - Brepols Publishers
SN - 23363452
KW - Interwar Europe
KW - emigration
KW - nationalism
KW - Kondakov Institute
KW - Wolfgang Born
KW - freedom
KW - shared culture
KW - humanism
UR - https://doi.org/10.1484/J.CONVI.4.2019043
L2 - https://doi.org/10.1484/J.CONVI.4.2019043
N2 - Between 1931 and 1934, German artist and art historian Wolfgang Born exchanged several letters with the Kondakov Institute in Prague. Written during the troubled years of rising nationalism in Europe, these letters tell both part of Born’s story and, indirectly, of the Russian émigré institute itself. Born’s life story, until his forced emigration, allows us to question the role of culture at large when the society is under invasive political threat.It shows a trajectory from a vast, intercon- nected, intellectual milieu towards a fragmented world of émigré scholars. Above all, this epistolary exchange highlights how similar questions on the origins of artistic forms arose in humanistic milieus across Europe. It also illustrates how the rising totalitarian regimes attempted to shoehorn those inquiries into propagandistic, rac- ist narratives.
ER -
PALLADINO, Adrien. The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s. \textit{Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova}. Brepols Publishers, 2019, vol.~6, No~2, p.~128-135. ISSN~2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019043.
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