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@article{1575480, author = {Palladino, Adrien}, article_number = {2}, doi = {http://dx.doi.org/10.1484/J.CONVI.4.2019043}, keywords = {Interwar Europe; emigration; nationalism; Kondakov Institute; Wolfgang Born; freedom; shared culture; humanism}, language = {eng}, issn = {2336-3452}, journal = {Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova}, title = {The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s}, url = {https://doi.org/10.1484/J.CONVI.4.2019043}, volume = {6}, year = {2019} }
TY - JOUR ID - 1575480 AU - Palladino, Adrien PY - 2019 TI - The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s JF - Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova VL - 6 IS - 2 SP - 128-135 EP - 128-135 PB - Brepols Publishers SN - 23363452 KW - Interwar Europe KW - emigration KW - nationalism KW - Kondakov Institute KW - Wolfgang Born KW - freedom KW - shared culture KW - humanism UR - https://doi.org/10.1484/J.CONVI.4.2019043 L2 - https://doi.org/10.1484/J.CONVI.4.2019043 N2 - Between 1931 and 1934, German artist and art historian Wolfgang Born exchanged several letters with the Kondakov Institute in Prague. Written during the troubled years of rising nationalism in Europe, these letters tell both part of Born’s story and, indirectly, of the Russian émigré institute itself. Born’s life story, until his forced emigration, allows us to question the role of culture at large when the society is under invasive political threat.It shows a trajectory from a vast, intercon- nected, intellectual milieu towards a fragmented world of émigré scholars. Above all, this epistolary exchange highlights how similar questions on the origins of artistic forms arose in humanistic milieus across Europe. It also illustrates how the rising totalitarian regimes attempted to shoehorn those inquiries into propagandistic, rac- ist narratives. ER -
PALLADINO, Adrien. The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s. \textit{Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova}. Brepols Publishers, 2019, vol.~6, No~2, p.~128-135. ISSN~2336-3452. Available from: https://dx.doi.org/10.1484/J.CONVI.4.2019043.
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