HAVLÍČKOVÁ KYSOVÁ, Šárka. Czech Theatrical Imagination in Teatro alla Scala : František Tröster and Miloš Wasserbauer’s Production of Katerina Izmailova (1964). Czech and Slovak Journal of Humanities : Musicologica. Olomouc: Univerzita Palackého, 2019, vol. 2019, No 2, p. 60-69. ISSN 1805-3742.
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Basic information
Original name Czech Theatrical Imagination in Teatro alla Scala : František Tröster and Miloš Wasserbauer’s Production of Katerina Izmailova (1964)
Authors HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution).
Edition Czech and Slovak Journal of Humanities : Musicologica, Olomouc, Univerzita Palackého, 2019, 1805-3742.
Other information
Original language English
Type of outcome Article in a journal
Field of Study 60403 Performing arts studies
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14210/19:00111652
Organization unit Faculty of Arts
Keywords (in Czech) Katěrina Izmajlová; Dmitrij Šostakovič; Miloš Wasserbauer; František Tröster; divadlo; opera; operní režie; scénografie
Keywords in English Katerina Izmajlova; Dmitri Shostakovich; Miloš Wasserbauer; František Tröster; theatre; opera; opera direction; scenography
Tags rivok
Tags International impact, Reviewed
Changed by Changed by: Mgr. Zuzana Matulíková, učo 405304. Changed: 3/4/2020 11:22.
Abstract
The article is focused on Miloš Wasserbauer’s and František Tröster’s two productions of Dmitri Shostakovich’s opera Katerina Izmailova in State Theatre in Brno and Teatro alla Scala in 1964. The author deals with the interpretation of the opera, the direction-scenography concept, and reception and historical context of the productions. In the sixties in former Czechoslovakia, theatre director Wasserbauer and scenographer Tröster represented the operatic staging practice that substantially relied on progressive tendencies in direction and scenography. The author analyses the direction-scenography concept of the productions which represent the shift in theatrical imagination of operatic staging practice of the era.
Links
MUNI/A/1164/2018, interní kód MUName: Metodologické problémy výzkumu divadelní kultury II (Acronym: DIVMETOD)
Investor: Masaryk University, Category A
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