Detailed Information on Publication Record
2019
“Iron Curtain Up?”: Staging Shakespearean Operas in the Czech Republic after 1989
HAVLÍČKOVÁ KYSOVÁ, ŠárkaBasic information
Original name
“Iron Curtain Up?”: Staging Shakespearean Operas in the Czech Republic after 1989
Authors
HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution)
Edition
„Iron curtain up!“ Shakespeare, 30 years after, Bratislava, 3.-4.3.2019, 2019
Other information
Language
English
Type of outcome
Prezentace na konferencích
Field of Study
60403 Performing arts studies
Country of publisher
Slovakia
Confidentiality degree
není předmětem státního či obchodního tajemství
RIV identification code
RIV/00216224:14210/19:00111654
Organization unit
Faculty of Arts
Keywords (in Czech)
opera; divadlo; operní režie; české divadlo; William Shakespeare; Giuseppe Verdi; Otello; Falstaff; Macbeth
Keywords in English
opera; divadlo; operní režie; české divadlo; William Shakespeare; Giuseppe Verdi; Otello; Falstaff; Macbeth
Tags
Tags
International impact, Reviewed
Změněno: 17/4/2020 12:27, doc. MgA. David Drozd, Ph.D.
Abstract
V originále
Operas based on the plays by William Shakespeare constitute common part of the repertoire of Czech opera theatres. The operas by G. Verdi, based on Shakespear’s plays, include political dimension, supported also by scenography of the stagings. Otello, Falstaff, and especially Macbeth serve as a way of expressing the dynamics of rise and fall of those who seek to ascend to the power by any means. In my presentation I provide the analysis of the key concepts of stagings of Verdi’s adaptations of Shakespeare’s plays in connection to the historical and cultural contexts of the period. I especially discuss the metaphoric level of the operatic “transfer(s)” (adaptations and the particular stagings) of Shakespeare’s plays.
Links
| MUNI/A/1164/2018, interní kód MU |
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