Detailed Information on Publication Record
2019
Fall of evil, fall of good : Towards Cognitive Analysis of Performances of Verdi’s Shakespearean Operas
HAVLÍČKOVÁ KYSOVÁ, ŠárkaBasic information
Original name
Fall of evil, fall of good : Towards Cognitive Analysis of Performances of Verdi’s Shakespearean Operas
Authors
HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution)
Edition
Cognitive Futures in the Arts and the Humanities 2019, Mainz, June 19.-23.2019, 2019
Other information
Language
English
Type of outcome
Prezentace na konferencích
Field of Study
60403 Performing arts studies
Country of publisher
Germany
Confidentiality degree
není předmětem státního či obchodního tajemství
References:
RIV identification code
RIV/00216224:14210/19:00111656
Organization unit
Faculty of Arts
Keywords (in Czech)
opera; divadlo; Giuseppe Verdi; Macbeth; Otello; Teorie konceptuální metafory
Keywords in English
opera; theatre; Giuseppe Verdi; Macbeth; Otello; Conceptual Metaphor Theory
Tags
Tags
International impact, Reviewed
Změněno: 16/4/2020 12:56, doc. Mgr. Šárka Havlíčková Kysová, Ph.D.
Abstract
V originále
In my paper I present the results of analysis of various productions of Verdi’s operas Macbeth and Otello. Special attention is given to scenography of the productions as an evidence of key audio-visual metaphors (see e.g. Fahlenbrach 2010; 2016) incorporated in the directors’ concept. I focus on particular metaphors included in Shakespeare’s play that enter the stage via Verdi’s opera. Scenography – which I understand both as visual and audial means of expression – reflects the guidance of human senses for the purpose of emphasising and expressing the key concepts of Shakespeare’s and Verdi’s work. I analyse dynamics / kinetics of scenography which is used to guide viewer’s senses through appeal to concepts of evil, and good.
Links
| MUNI/A/1164/2018, interní kód MU |
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| MUNI/21/HAV/2019, interní kód MU |
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