Detailed Information on Publication Record
2019
Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000
HAVLÍČKOVÁ KYSOVÁ, ŠárkaBasic information
Original name
Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000
Authors
HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution)
Edition
ESRA - Shakespeare and European Geographies: Centralities and Elsewheres, Rome, July 9-12, 2019, 2019
Other information
Language
English
Type of outcome
Prezentace na konferencích
Field of Study
60403 Performing arts studies
Country of publisher
Italy
Confidentiality degree
není předmětem státního či obchodního tajemství
References:
RIV identification code
RIV/00216224:14210/19:00111657
Organization unit
Faculty of Arts
Keywords (in Czech)
divadlo; opera; William Shakespeare; Giuseppe Verdi; Macbeth; Češká republika
Keywords in English
theatre; opera; William Shakespeare; Giuseppe Verdi; Macbeth; Czech Republic
Tags
Tags
International impact
Změněno: 20/4/2020 09:12, Mgr. Igor Hlaváč
Abstract
V originále
After the Velvet Revolution, Giuseppe Verdi’s Shakespearean opera Macbeth has been staged in the Czech Republic several times. In my paper I analyse the 21-century productions of Giuseppe Verdi’s Shakespearean opera Macbeth in the most prominent Czech theatres. Special attention is paid to scenography of the productions through the lens of audio-visual metaphors incorporated in the directors’ conceptions. I focus on particular metaphors rooted in Shakespeare’s play that enter the stage via Verdi’s opera and stage direction. As visual and audial means of expression, scenography has a potential to express key concepts of Shakespeare’s and Verdi’s work, such as emphasizing – via stage/audio-visual metaphors – dynamics of power, evil, forces of nature and some other.
Links
| MUNI/A/1164/2018, interní kód MU |
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| MUNI/21/HAV/2019, interní kód MU |
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