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@proceedings{1591038, author = {Havlíčková Kysová, Šárka}, booktitle = {ESRA - Shakespeare and European Geographies: Centralities and Elsewheres, Rome, July 9-12, 2019}, keywords = {theatre; opera; William Shakespeare; Giuseppe Verdi; Macbeth; Czech Republic}, language = {eng}, title = {Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000}, url = {http://esra2019.it/}, year = {2019} }
TY - CONF ID - 1591038 AU - Havlíčková Kysová, Šárka PY - 2019 TI - Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000 KW - theatre KW - opera KW - William Shakespeare KW - Giuseppe Verdi KW - Macbeth KW - Czech Republic UR - http://esra2019.it/ L2 - http://esra2019.it/ N2 - After the Velvet Revolution, Giuseppe Verdi’s Shakespearean opera Macbeth has been staged in the Czech Republic several times. In my paper I analyse the 21-century productions of Giuseppe Verdi’s Shakespearean opera Macbeth in the most prominent Czech theatres. Special attention is paid to scenography of the productions through the lens of audio-visual metaphors incorporated in the directors’ conceptions. I focus on particular metaphors rooted in Shakespeare’s play that enter the stage via Verdi’s opera and stage direction. As visual and audial means of expression, scenography has a potential to express key concepts of Shakespeare’s and Verdi’s work, such as emphasizing – via stage/audio-visual metaphors – dynamics of power, evil, forces of nature and some other. ER -
HAVLÍČKOVÁ KYSOVÁ, Šárka. Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000. Online. In \textit{ESRA - Shakespeare and European Geographies: Centralities and Elsewheres, Rome, July 9-12, 2019}. 2019, [citováno 2024-04-23]
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