Land as a Mother, Land as a Grave. Productions of Verdi‘s Macbeth after 1989 and/from Cognitive Perspective

HAVLÍČKOVÁ KYSOVÁ, Šárka. Land as a Mother, Land as a Grave. Productions of Verdi‘s Macbeth after 1989 and/from Cognitive Perspective. In Shakespeare in Central Europe after 1989: common heritage and regional identity, Budapest, December 1-3, 2019. 2019.

Basic information

Original name

Land as a Mother, Land as a Grave. Productions of Verdi‘s Macbeth after 1989 and/from Cognitive Perspective

Authors

HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution)

Edition

Shakespeare in Central Europe after 1989: common heritage and regional identity, Budapest, December 1-3, 2019, 2019

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Other information

Language

English

Type of outcome

Vyžádané přednášky

Field of Study

60403 Performing arts studies

Country of publisher

Hungary

Confidentiality degree

není předmětem státního či obchodního tajemství

RIV identification code

RIV/00216224:14210/19:00111658

Organization unit

Faculty of Arts

Keywords (in Czech)

opera; divadlo; Giuseppe Verdi; Macbeth; Teorie konceptuální integrace; Česká republika

Keywords in English

opera; theatre; Giuseppe Verdi; Macbeth; Conceptual Integration Theory; Czech Republic

Tags

rivok

Tags

International impact

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Abstract

V originále

The paper focuses on the productions of Verdi's opera Macbeth in the Czech Republic after 2000 from the perspective of cognitive theatre studies. The Coceptual Integration/Blending Theory is applied to analysis of the productions.

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Links

MUNI/A/1164/2018, interní kód MU

Name: Metodologické problémy výzkumu divadelní kultury II (Acronym: DIVMETOD) Investor: Masaryk University, Category A