Land as a Mother, Land as a Grave. Productions of Verdi‘s Macbeth after 1989 and/from Cognitive Perspective

HAVLÍČKOVÁ KYSOVÁ, Šárka. Land as a Mother, Land as a Grave. Productions of Verdi‘s Macbeth after 1989 and/from Cognitive Perspective. In Shakespeare in Central Europe after 1989: common heritage and regional identity, Budapest, December 1-3, 2019. 2019.

Basic information

• Original name: Land as a Mother, Land as a Grave. Productions of Verdi‘s Macbeth after 1989 and/from Cognitive Perspective
• Authors: HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution).
• Edition: Shakespeare in Central Europe after 1989: common heritage and regional identity, Budapest, December 1-3, 2019, 2019.

Other information

• Original language: English
• Type of outcome: Requested lectures
• Field of Study: 60403 Performing arts studies
• Country of publisher: Hungary
• Confidentiality degree: is not subject to a state or trade secret
• RIV identification code: RIV/00216224:14210/19:00111658
• Organization unit: Faculty of Arts
• Keywords (in Czech): opera; divadlo; Giuseppe Verdi; Macbeth; Teorie konceptuální integrace; Česká republika
• Keywords in English: opera; theatre; Giuseppe Verdi; Macbeth; Conceptual Integration Theory; Czech Republic
• Tags: rivok
• Tags: International impact

Abstract

The paper focuses on the productions of Verdi's opera Macbeth in the Czech Republic after 2000 from the perspective of cognitive theatre studies. The Coceptual Integration/Blending Theory is applied to analysis of the productions.

Links

• MUNI/A/1164/2018, interní kód MU: Name: Metodologické problémy výzkumu divadelní kultury II (Acronym: DIVMETOD)

Investor: Masaryk University, Category A