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@article{1597918,
author = {Bělka, Luboš},
article_number = {31},
keywords = {Shambhala; Thangka; Myth; Visual Representation; Tibetan Buddhism},
language = {eng},
issn = {2158-9674},
journal = {Cross-Currents : East Asian History and Culture Review (e-journal)},
title = {Shambhala and the Prague Thangka : The Myth’s Visual Representation},
url = {https://cross-currents.berkeley.edu/e-journal/issue-31/belka},
volume = {Neuveden},
year = {2019}
}
TY - JOUR
ID - 1597918
AU - Bělka, Luboš
PY - 2019
TI - Shambhala and the Prague Thangka : The Myth’s Visual Representation
JF - Cross-Currents : East Asian History and Culture Review (e-journal)
VL - Neuveden
IS - 31
SP - 257-262
EP - 257-262
SN - 21589674
KW - Shambhala
KW - Thangka
KW - Myth
KW - Visual Representation
KW - Tibetan Buddhism
UR - https://cross-currents.berkeley.edu/e-journal/issue-31/belka
L2 - https://cross-currents.berkeley.edu/e-journal/issue-31/belka
N2 - The article addresses the visual aspects of the Shambhala myth in Inner Asia, in particular Mongolia, Amdo, and Buryatia. The last Shambhala king, Raudracakrin, is usually depicted in two basic forms: either as a quiet, Nirvanic ruler on the throne in Kalapa, the capital of Shambhala, or as an angry, wrathful, and merciless military commander in the last battle of Shambhala.
ER -
BĚLKA, Luboš. Shambhala and the Prague Thangka : The Myth’s Visual Representation. \textit{Cross-Currents : East Asian History and Culture Review (e-journal)}. 2019, Neuveden, No~31, p.~257-262. ISSN~2158-9674.
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