FOLETTI, Ivan. Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation. In Foletti, Ivan; Palladino, Adrien. Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes. Řím: Viella, 2019, p. 63-92. Parva Convivia; 6. ISBN 978-88-331-3310-2.
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Basic information
Original name Russian Inputs in Czechoslovakia : When Art History meets History : The Institutum Kondakovianum during the Nazi Occupation
Authors FOLETTI, Ivan (203 Czech Republic, guarantor, belonging to the institution).
Edition Řím, Inventing Medieval Czechoslovakia 1918-1968 : Between Slavs, Germans, and Totalitarian Regimes, p. 63-92, 30 pp. Parva Convivia; 6, 2019.
Publisher Viella
Other information
Original language English
Type of outcome Chapter(s) of a specialized book
Field of Study 60401 Arts, Art history
Country of publisher Italy
Confidentiality degree is not subject to a state or trade secret
Publication form printed version "print"
RIV identification code RIV/00216224:14210/19:00107967
Organization unit Faculty of Arts
ISBN 978-88-331-3310-2
Keywords in English Seminarium Kondakovianum; Nazi occupation; Kondakov; Czechoslovakia; Adreyev; Schwartzenberg
Tags rivok
Changed by Changed by: Mgr. Marie Skřivanová, učo 262124. Changed: 18/4/2020 18:57.
Abstract
This paper was originally intended to provide a brief reflection on the role that a phenomenon such as Russian emigration in general, and that of the Institutum Kondakovianum in particular had in Czechoslovakia in the interwar years. However, recent discoveries made in the Columbia University archives in New York impel me to partly reconsider this objective. The first part of this essay will still be dedicated to Russian emigration and the Kondakov Institute between the two world wars. The second part will be however devoted to a time that has been little investigated in critical studies: the life of the Institutum during the Nazi regime. My aim is not to merely relate facts and events. As far as possible, I would like to offer a broader reflection on the dialectic relation between art history (here framed in the life of an institute) and a totalitarian regime, even when the latter does not makes direct use of violence.
Links
GA18-20666S, research and development projectName: Kondakovovo dědictví, Byzance a emigrace (André Grabar a Seminarium Kondakovianum) (Acronym: HNK)
Investor: Czech Science Foundation
PrintDisplayed: 13/10/2024 18:59