KAČER, Tomáš. Theatres of Mind : Staging Psychological Science in Modernist American Theatre. Hradec Králové Journal of Anglophone Studies. Hradec Králové: Department of English Language and Literature, Faculty of Education, University of Hradec Králové, 2019, vol. 6, No 1, p. 65-73. ISSN 2336-3347.
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Basic information
Original name Theatres of Mind : Staging Psychological Science in Modernist American Theatre
Authors KAČER, Tomáš (203 Czech Republic, guarantor, belonging to the institution).
Edition Hradec Králové Journal of Anglophone Studies, Hradec Králové, Department of English Language and Literature, Faculty of Education, University of Hradec Králové, 2019, 2336-3347.
Other information
Original language English
Type of outcome Article in a journal
Field of Study 60206 Specific literatures
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14210/19:00112412
Organization unit Faculty of Arts
Keywords in English Modernist theatre; American theatre; psychology; Sigmund Freud; science shows
Tags rivok
Tags International impact, Reviewed
Changed by Changed by: Mgr. Marie Skřivanová, učo 262124. Changed: 2/4/2020 12:06.
Abstract
The early years of the 20th century witnessed a transformation of American drama and theatre from a mere entertainment into a mature modern art form. This paper looks at a tradition of the 19th century wonder show presenting science as entertainment, and shows how Modernist American drama and theatre adopted aspects of this tradition and transformed them. It focuses mainly on sciences of the human mind that experienced a tumultuous development in the era. The Witching Hour by Augustus Thomas will serve as an example of a modern realist play that presents bogus science – telepathy. Then, the paper will identify introduction of psychoanalysis to the United States and Freud’s visit in 1909 as a turning point in approach to psychology. Plays such as Overtones by Alice Gerstenberg and Suppressed Desires by Susan Glaspell (in collaboration with George Cram Cook) mark the beginning of a more experimental approach to psychology in the theatre.
Links
MUNI/A/1396/2018, interní kód MUName: Researching Communication in English: Paradigms, Strategies, Developments (Acronym: RCE)
Investor: Masaryk University, Category A
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