Detailed Information on Publication Record
2020
Uses Genres and Media Ensembles : A Conceptual Roadmap for Research of Convergent Audiences
MACEK, JakubBasic information
Original name
Uses Genres and Media Ensembles : A Conceptual Roadmap for Research of Convergent Audiences
Authors
MACEK, Jakub (203 Czech Republic, guarantor, belonging to the institution)
Edition
Cham, Digital Peripheries : The Online Circulation of Audiovisual Content from the Small Market Perspective, p. 245-258, 14 pp. Springer Series in Media Industries, 2020
Publisher
Springer Open
Other information
Language
English
Type of outcome
Kapitola resp. kapitoly v odborné knize
Field of Study
50802 Media and socio-cultural communication
Country of publisher
Switzerland
Confidentiality degree
není předmětem státního či obchodního tajemství
Publication form
electronic version available online
References:
RIV identification code
RIV/00216224:14230/20:00114841
Organization unit
Faculty of Social Studies
ISBN
978-3-030-44849-3
Keywords in English
audience research; convergence; audiovisual media; use genres; media ensembles; small media markets
Tags
Tags
International impact, Reviewed
Změněno: 19/5/2020 09:36, doc. Mgr. Jakub Macek, Ph.D.
Abstract
V originále
This chapter tackles one of the main methodological and conceptual challenges to current audience research: fragmentation of viewers’ practices of reception. The use of digital and networked media and the consequent multiplication of screens, distribution channels and content sources have further complicated the notion of “watching television” and, along with that, academic and applied audience research. The chapter reintroduces Maria Bakardjieva’s concept of uses genres and connects it with the concept of media ensemble, suggesting that for research on the domestic consumption of films and TV series, the application of these concepts in qualitative (ethnographic) research and in audience surveys comes with strong advantages. Firstly, the concepts help to identify distinct types of consumption practices linked with specific technological objects, with specific audiovisual content and with typical everyday situations, and they enable us to analyze consumption explicitly within the contexts of the spatiotemporal and social organization of everyday life. Secondly, in cases of small- and peripheral-market audiences, the concepts enable us to identify specifics in audiences’ practices linked with the characteristics of these markets (e.g., with localized and non-localized content, with domestic and global production, etc.). And thirdly, the concepts explicitly acknowledge power both involved in and shaping the analyzed practices by emphasizing the “generative process of technology,” i.e., the transformative role of users’ practices in shaping technological and economic systems.
Links
TL01000306, research and development project |
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