RUSINKO, Marcela. In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965. Acta historiae artis Slovenica. Ljubljana: Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU, 2020, vol. 25, No 1, p. 233-252. ISSN 1408-0419. Available from: https://dx.doi.org/10.3986/AHAS.25.1.10.
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Basic information
Original name In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965
Authors RUSINKO, Marcela (203 Czech Republic, guarantor, belonging to the institution).
Edition Acta historiae artis Slovenica, Ljubljana, Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU, 2020, 1408-0419.
Other information
Original language English
Type of outcome Article in a journal
Field of Study 60401 Arts, Art history
Country of publisher Slovenia
Confidentiality degree is not subject to a state or trade secret
WWW ACTA HISTORIAE ARTIS SLOVENICA 25/1
RIV identification code RIV/00216224:14210/20:00114252
Organization unit Faculty of Arts
Doi http://dx.doi.org/10.3986/AHAS.25.1.10
Keywords in English Dispossessions; Communist Czechoslovakia; Art Collecting; Modern Art; National Gallery in Prague; Vincenc Kramář; Václav Butta; Rudolf Barák; František Čeřovský; Emil Filla
Tags rivok
Tags International impact, Reviewed
Changed by Changed by: Mgr. Zuzana Matulíková, učo 405304. Changed: 9/4/2021 11:14.
Abstract
In the first decade after 1948 Communist coup d'état, private art collecting in Czechoslovakia experienced a great deal of ideologically motivated oppression. The targeted, systemic actions against representatives of the bourgeoisie, former social elites, who had hitherto been the vehicles of this art collecting phenomenon, were taken. The persecution peaked in 1959 and 1960 by exemplary trials with eminent pre-war art collectors. This provoked the extensive wave of violent dispossessions of private artistic assets, the significant mobility of prominent and large art collections from private to public sphere in the late 1950s and early 1960s. The article concerns several pattern cases of trials, resulting in the confiscation of property, the enrichment of the leading public collections and exemplary punishment and also cases of other "soft" ways of dispossessing individuals through the s. c. legally forced “gift” / “donation” of art equivalent in value to an inheritance or property tax that had been levied.
Links
GA20-09541S, research and development projectName: Dějiny umění na Moravě: Morava v dějinách umění (Acronym: Dějiny umění na Moravě)
Investor: Czech Science Foundation
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