MARYŠKA, Martin. Theatre graphics and graphic theatre : Zich's semantics in posters and publicity. Theatralia: Journal of Theatre Studies. Brno: Masarykova univerzita, 2020, roč. 23, č. 1, s. 105-129, 24 s. ISSN 1803-845X. Dostupné z: https://dx.doi.org/10.5817/TY2020-1-9. |
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@article{1679138, author = {Maryška, Martin}, article_location = {Brno}, article_number = {1}, doi = {http://dx.doi.org/10.5817/TY2020-1-9}, keywords = {theatre poster; theatre publicity; theatre iconography; visual communication; graphic design; Otakar Zich; Ivo Osolsobě; Gilbert Lesser; Uli Weber; Jakub Gulyás; Alphonse Mucha; Sarah Bernhardt}, language = {eng}, issn = {1803-845X}, journal = {Theatralia: Journal of Theatre Studies}, title = {Theatre graphics and graphic theatre : Zich's semantics in posters and publicity}, url = {http://hdl.handle.net/11222.digilib/142553}, volume = {23}, year = {2020} }
TY - JOUR ID - 1679138 AU - Maryška, Martin PY - 2020 TI - Theatre graphics and graphic theatre : Zich's semantics in posters and publicity JF - Theatralia: Journal of Theatre Studies VL - 23 IS - 1 SP - 105-129 EP - 105-129 PB - Masarykova univerzita SN - 1803845X KW - theatre poster KW - theatre publicity KW - theatre iconography KW - visual communication KW - graphic design KW - Otakar Zich KW - Ivo Osolsobě KW - Gilbert Lesser KW - Uli Weber KW - Jakub Gulyás KW - Alphonse Mucha KW - Sarah Bernhardt UR - http://hdl.handle.net/11222.digilib/142553 L2 - http://hdl.handle.net/11222.digilib/142553 N2 - The essay employs the concept of the 'semantic image' as articulated by Czech aesthetician Otakar Zich in his book The Aesthetics of Dramatic Art in order to outline how theatre publicity relates to theatre production and performance. Theatre graphics, posters, and other promotional materials contain images that substitute or compensate for what is not to be seen and heard onstage in form of 'technical images'; thus, these graphics condition the 'representational images' of dramatic locations.1 Publicity images can be also used to manipulate imagery associations related to actors as well as dramatic characters in order to facilitate their desired reception. This article focuses on the posters produced for Prague's National Theatre opera production of Tramvestie (2019) and two stagings of Peter Shaffer's Equus (1973, 2007) along with Alphonse Mucha's posters for Sarah Bernhardt. ER -
MARYŠKA, Martin. Theatre graphics and graphic theatre : Zich's semantics in posters and publicity. \textit{Theatralia: Journal of Theatre Studies}. Brno: Masarykova univerzita, 2020, roč.~23, č.~1, s.~105-129, 24 s. ISSN~1803-845X. Dostupné z: https://dx.doi.org/10.5817/TY2020-1-9.
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