Detailed Information on Publication Record
2020
Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century
SUCHÁNEK, Pavel and Tomáš VALEŠBasic information
Original name
Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century
Authors
SUCHÁNEK, Pavel (203 Czech Republic, guarantor, belonging to the institution) and Tomáš VALEŠ (203 Czech Republic, belonging to the institution)
Edition
Studi Neoclassici Rivista Internazionale, 2020, 2420-8264
Other information
Language
English
Type of outcome
Článek v odborném periodiku
Field of Study
60401 Arts, Art history
Country of publisher
Italy
Confidentiality degree
není předmětem státního či obchodního tajemství
References:
RIV identification code
RIV/00216224:14210/20:00114350
Organization unit
Faculty of Arts
Keywords in English
Neoclassicism; Decorative Arts; Interior Decorations; Design Work; 18th Century; Central Europe; Habsburg Monarchy; Moravia
Tags
Tags
International impact, Reviewed
Změněno: 11/4/2021 21:09, Mgr. Zuzana Matulíková
Abstract
V originále
The study explores the influence the Italian antiquarian tradition (Giovanni Battista Piranesi, Giocondo Albertolli, Carlo Antonini etc.) in the example of a group of artworks created by several artists in one province of the Habsburg Empire. The first part of the study focuses on several designs and works of decorative art that lie on the edge between painting, sculpture, and decorative art. The second part seeks to interpret the findings of the analysis in the wider context of contemporary Enlightenment reforms, the formation of modern institutions, and, generally, the transformation of the Habsburg Monarchy’s cultural policy in the period towards the end of Empress Maria Theresa’s rule (1740-1780) and the beginning of that of Emperor Joseph II (1780-1790). The article concludes by reflecting on the nature of transcultural transfers in the late 18th century, defined, on the one hand, by the Enlightenment ideal of a universal culture and, on the other, by relatively overt efforts to create a local, to some degree ‘nationalised’, interpretation of that ideal.
Links
GA20-09541S, research and development project |
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