KUBOVČÁKOVÁ, Zuzana. Intimate Language of Zen Master Dōgen: Revisions, Reinterpretations, and Reinventions in Dōgen’s Language. In 14th Annual Conference on Asian Studies: Voiced and Voiceless in Asia. 2020.
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Basic information
Original name Intimate Language of Zen Master Dōgen: Revisions, Reinterpretations, and Reinventions in Dōgen’s Language
Name in Czech Jazyk zenového mistra Dógena: Revize a reinterpretace Dógenovho jazyka
Authors KUBOVČÁKOVÁ, Zuzana.
Edition 14th Annual Conference on Asian Studies: Voiced and Voiceless in Asia, 2020.
Other information
Original language English
Type of outcome Conference abstract
Field of Study 60202 Specific languages
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW Book of Abstracts for the 14th Annual Conference on Asian Studies: Voiced and Voiceless in Asia
Organization unit Faculty of Arts
Keywords (in Czech) zen buddhismus; Dógen; koan; Udži; Šóbó genzó
Keywords in English Zen Buddhism; Dogen; koan; Uji; Shobogenzo
Tags International impact
Changed by Changed by: Mgr. Zuzana Kubovčáková, M.A., Ph.D., učo 237920. Changed: 21/11/2020 11:54.
Abstract
The figure of Zen master Dōgen 道元 (1200—1253), founder of the Japanese Sōtō school of Buddhism, has in the last decades been in the center of interest of both Japanese and Western scholars given especially his innovative and original, yet also intriguing and often paradoxical teaching. While on the one hand, Dōgen was a traditional, almost a conservative Buddhist teacher and Zen master in that he attached value to the practice of seated meditation (shikan taza 只管打坐) that he is particularly famous for, he was also surprisingly unrestrained and unconventional in his use of language. The topic of Dōgen’s use of language is seldom ignored by scholars, yet only rarely explored in greater detail compared to the message of his writings. In this paper, my intention is to illustrate Dōgen’s rhetorical innovations and verbal creativity, which enabled him to formulate an original teaching that distinguishes him from his contemporaries and the other personages in Japanese Buddhism. I will propose a set of aspects regarding Dōgen’s original use of language, ranging from tendencies that would today be labelled as morphological, semantic and/or rhetorical. Based on examples from Dōgen’s masterpiece Treasury of the True Dharma Eye (Shōbōgenzō 正法眼蔵), I will also illustrate how he innovatively employed Chinese words and expressions in a Japanese language context and how he created new meanings by the various approaches he employed.
Links
MUNI/21/KUB/2017, interní kód MUName: Překlad vybraných částí Dógenova spisu Šóbógenzó (Acronym: Šóbógenzó)
Investor: Masaryk University
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