Kinematografičeskije eksperimenty s russkoj klassikoj (na primere ekranizacii povesti I.S. Turgeneva «Vešnije vody»)

DMITRIEVA, Iuliia and Elena ABRAMOVSKIH. Kinematografičeskije eksperimenty s russkoj klassikoj (na primere ekranizacii povesti I.S. Turgeneva «Vešnije vody») (Cinema experiments with the russian classics (on the example of the screen version of the story of I.S.Turgenev «Spring tides»)). In Redakcionno-izdatel’skij sovet Samarskogo gosudarstvennogo social’no-pedagogičeskogo universiteta. I.S. Turgenev i russko-zarubežnyje svjazi : sbornik naučnych trudov po materialam Meždunarodnoj naučno-tvorčeskoj konferencii, posvjaščennoj 200-letiju so dnja roždenija I.S. Turgeneva. Samara: Naučno-techničeskij centr, 2020, p. 248-275. ISBN 978-5-98229-418-0.

Basic information

• Original name: Kinematografičeskije eksperimenty s russkoj klassikoj (na primere ekranizacii povesti I.S. Turgeneva «Vešnije vody»)
• Name (in English): Cinema experiments with the russian classics (on the example of the screen version of the story of I.S.Turgenev «Spring tides»)
• Authors: DMITRIEVA, Iuliia (643 Russian Federation, guarantor, belonging to the institution) and Elena ABRAMOVSKIH (643 Russian Federation).
• Edition: Samara, I.S. Turgenev i russko-zarubežnyje svjazi : sbornik naučnych trudov po materialam Meždunarodnoj naučno-tvorčeskoj konferencii, posvjaščennoj 200-letiju so dnja roždenija I.S. Turgeneva, p. 248-275, 28 pp. 2020.
• Publisher: Naučno-techničeskij centr

Other information

• Original language: Russian
• Type of outcome: Proceedings paper
• Field of Study: 60205 Literary theory
• Country of publisher: Russian Federation
• Confidentiality degree: is not subject to a state or trade secret
• Publication form: printed version "print"
• WWW: URL
• RIV identification code: RIV/00216224:14210/20:00117279
• Organization unit: Faculty of Arts
• ISBN: 978-5-98229-418-0
• Keywords in English: source text; types of reception; creativity; film text; cinematization
• Tags: RIV - zkontrolováno, rivok

Abstract

V stat’je rassmatrivajetsja specifika žanra kinoekranizacii, ob”jedinjajuščego dva tipa diskursa: kino i literaturu. Na primere ekranizacii povesti I.S. Turgeneva režisserami Je. Gerasimovym i Je. Skolimovskim vystraivajetsja tipologija recepcii teksta-istočnika. Kinoekranizacija Je. Gerasimova «Pojezdka v Visbaden» (1989) predstavljajet soboj nejtral’nyj tip recepcii, pri kotorom realizujutsja te ili inyje strategii, ne protivorečaščije logike avtorskogo zamysla, no v to že vremja i ne usilivajuščije producirujuščuju sposobnost’ tvorčeskogo potenciala teksta-istočnika. Kinoekranizacija Je. Skolimovskogo «Vešnije vody» (1989) otnositsja k kreativnomu tipu recepcii. Kinotekst otkryt i mnogoznačen, problematizirujet pri pomošči kinojazyka novyje aspekty pročtenija teksta-istočnika.

Abstract (in English)

The article discusses the specifics of the film adaptation genre, combining two types of discourse: film and literature. On the example of the film adaptation of the novel by I. Turgenev, the directors E. Gerasimov and E. Skolimovsky build a typology of the source text reception. Gerasimov's film adaptation “A Trip to Wiesbaden” (1989) is a neutral type of recipes, within which all the necessary and non-contradictory strategies are used, and the production ability of creative use of the source text is enhanced. Cinema screening of E. Skolimovsky “Spring tides” (1989) refers to the creative type of reception. The film text is open and multi-valued, problematizes with the help of film language new aspects of reading the source text are problematic.