Matthew Medbourne’s St. Cecily : or, The Converted Twins : The
Medieval Saint as a Restoration Papist

k 2020

Matthew Medbourne’s St. Cecily : or, The Converted Twins : The Medieval Saint as a Restoration Papist

KRAJNÍK, Filip

Základní údaje

Originální název

Matthew Medbourne’s St. Cecily : or, The Converted Twins : The Medieval Saint as a Restoration Papist

Autoři

KRAJNÍK, Filip (203 Česká republika, garant, domácí)

Vydání

In/Outside the Frame Conference, 15th International Cultural Studies Conference & 4th International Conference on Linguistics and Language Teaching and Learning, 5th-6th November 2020, University of Pardubice, Pardubice, 2020

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60206 Specific literatures

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Kód RIV

RIV/00216224:14210/20:00114683

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

restaurační divadlo; náboženské drama; svatá Cecílie

Klíčová slova anglicky

Restoration theatre; religious drama; St Cecilia

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 30. 3. 2021 12:01, Mgr. Zuzana Matulíková

Anotace

V originále

The paper will discuss the tragedy St. Cecily: or, The Converted Twins, a rare example of a Restoration religious play, concerned with the martyrdom of St. Cecilia, written by the Catholic actor and playwright Matthew Medbourne in 1666 and dedicated to Catherine of Braganza, the then new wife of King Charles II. As Monika Fludernik has recently demonstrated, early-modern English plays about female martyrs could be (and probably originally were) seen as veiled and ambiguous commentaries on the then current political and religious conflicts in the country. However, virtually no attention has been paid so far to Medbourne's play, perhaps because of its rather mediocre literary quality and the fact that it was never staged in its own time. This paper will examine it through the prism of the conflict between the Protestant establishment and the English Catholic minority in the 1660s, which ultimately culminated in the Exclusion Crisis in the late 1670s and the Glorious revolution of 1688. I will argue that, especially in Cecilia’s final confrontation with judge Almachius, the medieval saint becomes a speaker for the Catholic cause, exposing the tyranny of the Anglican establishment, while appealing to the English King for the tolerance of Catholic faith.

Návaznosti

GA19-07494S, projekt VaV

Název: Anglická divadelní kultura 1660-1737

Investor: Grantová agentura ČR, Anglická divadelní kultura 1660-1737

Citovat

KRAJNÍK, Filip. Matthew Medbourne’s St. Cecily : or, The Converted Twins : The Medieval Saint as a Restoration Papist. In In/Outside the Frame Conference, 15th International Cultural Studies Conference & 4th International Conference on Linguistics and Language Teaching and Learning, 5th-6th November 2020, University of Pardubice, Pardubice. 2020.

@proceedings{1729214,
   author = {Krajník, Filip},
   booktitle = {In/Outside the Frame Conference, 15th International Cultural Studies Conference & 4th International Conference on Linguistics and Language Teaching and Learning, 5th-6th November 2020, University of Pardubice, Pardubice},
   keywords = {Restoration theatre; religious drama; St Cecilia},
   language = {eng},
   title = {Matthew Medbourne’s St. Cecily : or, The Converted Twins : The Medieval Saint as a Restoration Papist},
   url = {https://ff.upce.cz/ff/literature-and-cultural-studies-conference},
   year = {2020}
}

TY  - CONF
ID  - 1729214
AU  - Krajník, Filip
PY  - 2020
TI  - Matthew Medbourne’s St. Cecily : or, The Converted Twins : The Medieval Saint as a Restoration Papist
KW  - Restoration theatre
KW  - religious drama
KW  - St Cecilia
UR  - https://ff.upce.cz/ff/literature-and-cultural-studies-conference
L2  - https://ff.upce.cz/ff/literature-and-cultural-studies-conference
N2  - The paper will discuss the tragedy St. Cecily: or, The Converted Twins, a rare example of a Restoration religious play, concerned with the martyrdom of St. Cecilia, written by the Catholic actor and playwright Matthew Medbourne in 1666 and dedicated to Catherine of Braganza, the then new wife of King Charles II. As Monika Fludernik has recently demonstrated, early-modern English plays about female martyrs could be (and probably originally were) seen as veiled and ambiguous commentaries on the then current political and religious conflicts in the country. However, virtually no attention has been paid so far to Medbourne's play, perhaps because of its rather mediocre literary quality and the fact that it was never staged in its own time. This paper will examine it through the prism of the conflict between the Protestant establishment and the English Catholic minority in the 1660s, which ultimately culminated in the Exclusion Crisis in the late 1670s and the Glorious revolution of 1688. I will argue that, especially in Cecilia’s final confrontation with judge Almachius, the medieval saint becomes a speaker for the Catholic cause, exposing the tyranny of the Anglican establishment, while appealing to the English King for the tolerance of Catholic faith.
ER  -

KRAJNÍK, Filip. Matthew Medbourne’s St. Cecily : or, The Converted Twins : The Medieval Saint as a Restoration Papist. In \textit{In/Outside the Frame Conference, 15th International Cultural Studies Conference \&{} 4th International Conference on Linguistics and Language Teaching and Learning, 5th-6th November 2020, University of Pardubice, Pardubice}. 2020.

Přehled o publikaci