Čovekat v sistemata i protiv sistemata. Obrazite na žertvite i buntarite v češkata dramaturgija ot 60-te godini na XX vek

KROČA, David. Čovekat v sistemata i protiv sistemata. Obrazite na žertvite i buntarite v češkata dramaturgija ot 60-te godini na XX vek (The Man in the System and Against It: Victim and Rebel Characters in the Czech 1960s Dramas). Slavjanski dialozi. Spisanie za slavjanski ezici, literaturi i kulturi. Plovdiv: Filologičeski fakultet Plovdivski universitet „Paisij Chilendarski“, 2019, vol. 16, No 24, p. 93-104. ISSN 1312-5346.

Basic information

Original name

Čovekat v sistemata i protiv sistemata. Obrazite na žertvite i buntarite v češkata dramaturgija ot 60-te godini na XX vek

Name in Czech

Člověk v systému a proti systému: postavy obětí a rebelantů v české dramatice šedesátých let 20. století

Name (in English)

The Man in the System and Against It: Victim and Rebel Characters in the Czech 1960s Dramas

Authors

KROČA, David (203 Czech Republic, guarantor, belonging to the institution)

Edition

Slavjanski dialozi. Spisanie za slavjanski ezici, literaturi i kulturi, Plovdiv, Filologičeski fakultet Plovdivski universitet „Paisij Chilendarski“ 2019, 1312-5346

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Other information

Language

Bulgarian

Type of outcome

Článek v odborném periodiku

Field of Study

60206 Specific literatures

Country of publisher

Bulgaria

Confidentiality degree

není předmětem státního či obchodního tajemství

References:

URL

RIV identification code

RIV/00216224:14410/19:00117885

Organization unit

Faculty of Education

Keywords (in Czech)

absurdní drama; dramatické postavy; postavy obětí a rebelantů

Keywords in English

theatre of the absurd; characters; victim and rebel characters

Tags

International impact, Reviewed

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Abstract

V originále

The study deals with characteristics of characters in the Czech absurd theatre of the 1960s, mainly in plays by Václav Havel, Ivan Klíma, Pavel Kohout, Milan Kundera, Miloš Macourek and Milan Uhde. The characters are most frequently depersonalized and their psychological characteristics is weakened to the advantage of fulfilling a mere function or social role. They adapt to conditions of a dehumanized mechanism forcing an individual to accept its absurd norms. From the point of view of the composition, especially notable characters are the so-called rebels who defy systemization of man, convict the absurd system of its mistakes and oppose serenity of their surroundings.

In Czech

Studie se zabývá charakteristikou postav v české absurdní dramatice šedesátých let 20. století, zejména v tvorbě Václava Havla, Ivana Klímy, Pavla Kohouta, Milana Kundery, Miloše Macourka a Milana Uhdeho. Nejčastěji jde o postavy odosobněné, jejichž psychologická charakteristika je oslabena ve prospěch plnění pouhé funkce nebo sociální role. Přizpůsobují se podmínkám odlidštěného mechanismu, jenž jedince nutí, aby přijal jeho absurdní normy. Z hlediska výstavby dramatického textu jsou pozoruhodné postavy tzv. rebelantů, které systemizaci člověka vzdorují, absurdní systém usvědčují z jeho omylů a stojí v opozici vůči poklidu svého okolí.

In English

The study deals with characteristics of characters in the Czech absurd theatre of the 1960s, mainly in plays by Václav Havel, Ivan Klíma, Pavel Kohout, Milan Kundera, Miloš Macourek and Milan Uhde. The characters are most frequently depersonalized and their psychological characteristics is weakened to the advantage of fulfilling a mere function or social role. They adapt to conditions of a dehumanized mechanism forcing an individual to accept its absurd norms. From the point of view of the composition, especially notable characters are the so-called rebels who defy systemization of man, convict the absurd system of its mistakes and oppose serenity of their surroundings.