POLÁČKOVÁ, Eliška. Planctus Mariae: Performing Compassion as a Means of Social Promotion. Theatralia. Brno: Masarykova univerzita, 2020, vol. 23, No 2, p. 74-91. ISSN 1803-845X. Available from: https://dx.doi.org/10.5817/TY2020-2-5.
Other formats:   BibTeX LaTeX RIS
Basic information
Original name Planctus Mariae: Performing Compassion as a Means of Social Promotion
Authors POLÁČKOVÁ, Eliška.
Edition Theatralia, Brno, Masarykova univerzita, 2020, 1803-845X.
Other information
Type of outcome Article in a journal
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW URL
Doi http://dx.doi.org/10.5817/TY2020-2-5
Keywords (in Czech) Planctus Mariae; nářek Panny Marie; Pasionál abatyše Kunhuty; středověká literární performance
Keywords in English Marian Planct, Marian Lament, Planctus Mariae, Passional of Abbess Kunigunde, medieval literary performance
Tags International impact, Reviewed
Changed by Changed by: Mgr. Eliška Kubartová, Ph.D., učo 180217. Changed: 25/1/2021 10:45.
Abstract
The aim of the study is to explore the emancipative potential of performative practices associated with the high medieval idiom of affective devotion, particularly with the genre of Marian Lament (planctus Mariae). The mechanisms of (temporal) social elevation through a bodily experience of such cultural motives as Christ‘s Bride (sponsa Christi), Tools of Christ‘s Passion (arma Christi) and the veneration of Christ‘s Side Wound are demonstrated on the example of the Planctus Mariae in the Passional of Abbess Kunigunde, a 14th-century manuscript codex produced in Bohemia for the eponymous abbess of the Benedictine nunnery of St. George at the Prague Castle.
PrintDisplayed: 20/8/2024 23:56