Detailed Information on Publication Record
2020
An Assessment of Czech Musicology and Theatre Studies : Thirty Years After the Fall of the Iron Curtain
SPURNÝ, Lubomír and Helena SPURNÁBasic information
Original name
An Assessment of Czech Musicology and Theatre Studies : Thirty Years After the Fall of the Iron Curtain
Authors
SPURNÝ, Lubomír (203 Czech Republic, guarantor, belonging to the institution) and Helena SPURNÁ (203 Czech Republic)
Edition
1. vyd. Moscow, Art History in the Context of Other Sciences in Modern World : Parallels and Interaction: Proceedings of the International Academic Conference, April 21–26, 2019, p. 232-238, 7 pp. 2020
Publisher
The Russian State Library: Information and Publishing House
Other information
Language
English
Type of outcome
Stať ve sborníku
Field of Study
60403 Performing arts studies
Country of publisher
Russian Federation
Confidentiality degree
není předmětem státního či obchodního tajemství
Publication form
printed version "print"
References:
RIV identification code
RIV/00216224:14210/20:00118161
Organization unit
Faculty of Arts
ISBN
978-5-9216-0264-9
Keywords in English
musicology; theatrology; Czech Republic; semiotics; structuralism; theatricality; Centre for Music Theatre
Tags
Tags
International impact, Reviewed
Změněno: 20/4/2021 10:33, doc. PhDr. Martin Flašar, Ph.D.
Abstract
V originále
The continuing historiographical focus of both disciplines arising from the Central European tradition is reflected in the expansion of the range of historical themes. Musicology and theatre studies, however, react less flexibly to new interpretative approaches and research methods. Music semiotics, which rapidly developed in the 1970s and 1980s from an initiative of the most important team of Czech musicologists, has not found its successors in the new era. Czech musi- cology and theatre studies lack the former research team, with the range of specific interests and themes failing to correspond with the need for an integrating foundation. Only a few personages, who are providing Czech musicology and theatrology with new perspectives and research meth- ods, can be named at present. To give an example, the co-author of this contribution, Lubomír Spurný, was attempting, under the influence of his studies in Vienna, to propagate on the domestic scene the analysis of the Austrian music theoretician Heinrich Schenker. As for the Czech thea- trology, a number of smaller successes exist, although any kind of theoretical thinking does not come about in a systematic manner in this country. The Department of Theatre Studies at Masaryk University in Brno has the biggest potential for new research. The department organizes lectures and seminaries on, for example, the performativity of nationalism, the theatricality of the political trials of the 1950s, the theatricality of the Middle Ages and mass demonstrations.
Links
MUNI/A/0887/2019, interní kód MU |
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