Detailed Information on Publication Record
2020
Mapping Film Programming across Post-War Europe (1952)
VAN OORT, Thunnis, Åsa JERNUDD, Kathleen LOTZE, Clara PAFORT-OVERDUIN, Daniël BILTEREYST et. al.Basic information
Original name
Mapping Film Programming across Post-War Europe (1952)
Authors
VAN OORT, Thunnis (528 Netherlands), Åsa JERNUDD (752 Sweden), Kathleen LOTZE (276 Germany), Clara PAFORT-OVERDUIN (528 Netherlands), Daniël BILTEREYST (56 Belgium), Jaap BOTER (528 Netherlands), Silvia DIBELTULO (380 Italy), Pier ERCOLE (380 Italy), Philippe MEERS (56 Belgium), Terézia PORUBČANSKÁ (703 Slovakia, guarantor, belonging to the institution), Daniela TREVERI GENNARI (380 Italy) and Liesbeth VAN DE VIJVER (56 Belgium)
Edition
Research Data Journal for the Humanities and Social Sciences, Brill, 2020, 2452-3666
Other information
Language
English
Type of outcome
Článek v odborném periodiku
Field of Study
60405 Studies on Film, Radio and Television
Country of publisher
Netherlands
Confidentiality degree
není předmětem státního či obchodního tajemství
References:
RIV identification code
RIV/00216224:14210/20:00121606
Organization unit
Faculty of Arts
Keywords in English
film programming; cinema; mid-sized city; Europe; comparative history
Tags
Tags
International impact, Reviewed
Změněno: 19/5/2022 14:43, Mgr. et Mgr. Stanislav Hasil
Abstract
V originále
This data paper and the data collection from which it emerges aim to present a fully harmonized data set originating in several research projects on post-war cinema programming. The paper will reflect on the collection and structure of this aggregated data set, that consists of titles of feature films screened for public viewing in cinemas in the cities Bari (Italy), Antwerp and Ghent (Belgium), Gothenburg (Sweden), Leicester (United Kingdom) and Rotterdam (Netherlands) for the year 1952. As comparisons of movie-going patterns between European countries are still rare, this paper offers a model for constructing a data set which can be replicated, scaled up and used to compare, contextualize, and eventually theorize practices of cinema-going across countries at a global level.
Links
MUNI/A/1333/2020, interní kód MU |
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