KROČA, David. Tematizacija na zatvorenoto prostranstvo v groteskovite piesi na pražkija teatar „Činoherní klub“ (Thematization of Enclosed Space in The Prague Drama Club’s Slapsticks). Slavjanski dialozi. Spisanie za slavjanski ezici, literaturi i kulturi. Plovdiv: Filologičeski fakultet Plovdivski universitet „Paisij Chilendarski“, 2020, vol. 17, No 25, p. 67-75. ISSN 1312-5346.
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Basic information
Original name Tematizacija na zatvorenoto prostranstvo v groteskovite piesi na pražkija teatar „Činoherní klub“
Name in Czech Tematizace uzavřeného prostoru v groteskách Činoherního klubu
Name (in English) Thematization of Enclosed Space in The Prague Drama Club’s Slapsticks
Authors KROČA, David (203 Czech Republic, guarantor, belonging to the institution).
Edition Slavjanski dialozi. Spisanie za slavjanski ezici, literaturi i kulturi, Plovdiv, Filologičeski fakultet Plovdivski universitet „Paisij Chilendarski“ 2020, 1312-5346.
Other information
Original language Bulgarian
Type of outcome Article in a journal
Field of Study 60206 Specific literatures
Country of publisher Bulgaria
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14410/20:00121960
Organization unit Faculty of Education
Keywords (in Czech) absurdní drama; tvorba pražského Činoherního klubu
Keywords in English theatre of the absurd; output of The Prague Drama Club
Tags rivok
Tags International impact, Reviewed
Changed by Changed by: Dana Nesnídalová, učo 831. Changed: 15/2/2022 10:22.
Abstract
The study deals with the dramatic output of The Drama Club (Činoherní klub), a renowned theatre scene, which celebrated its 55th anniversary in 2020. The present study interprets works created during the 1960s by the theatre’s fundamental authors, starting with the first staging of Piknik (premierе on 27th 1965), a play by Ladislav Smoček, and ending with the slapstick by Alena Vostrá, On the Knifeʼs Edge (premierе on 4th 1968). The study is focused primarily on the theme of enclosed space, which related to the ensemble’s ambition to show some of the paradoxes in human behaviour under tense conditions of escalated model situations.
Abstract (in Czech)
Studie se zabývá dramatickou tvorbou pražského Činoherního klubu, věhlasné divadelní scény, která v roce 2020 oslavila 55 let od svého založení. Interpretuje tvorbu kmenových autorů divadla v průběhu šedesátých let 20. století od zakládající inscenace hry Ladislava Smočka Piknik (premiéra 27. února 1965) až po grotesku Aleny Vostré Na ostří nože (premiéra 4. prosince 1968). Zaměřuje se především na tematiku uzavřeného prostoru, která souvisela s ambicí souboru ukazovat paradoxy lidského jednání v napjatých podmínkách vyhrocené modelové situace.
Abstract (in English)
The study deals with the dramatic output of The Drama Club (Činoherní klub), a renowned theatre scene, which celebrated its 55th anniversary in 2020. The present study interprets works created during the 1960s by the theatre’s fundamental authors, starting with the first staging of Piknik (premierе on 27th 1965), a play by Ladislav Smoček, and ending with the slapstick by Alena Vostrá, On the Knifeʼs Edge (premierе on 4th 1968). The study is focused primarily on the theme of enclosed space, which related to the ensemble’s ambition to show some of the paradoxes in human behaviour under tense conditions of escalated model situations.
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