The Frescoes of the 12th-Century Rotunda at Znojmo : Between Historiography and Transcultural Perspectives

FOLETTI, Ivan a Jan KLÍPA. The Frescoes of the 12th-Century Rotunda at Znojmo : Between Historiography and Transcultural Perspectives. In Foletti, Ivan; Jakubec, Ondřej; Miltová, Radka Nokkala. Central Europe as a Meeting Point of Visual Cultures : Circulation of Persons, Artifacts, and Ideas. 1. vyd. Rome: Viella, 2021, s. 17-52. Studia Artium Medieavalium Brunensia 11. ISBN 978-88-3313-845-9.

Základní údaje

• Originální název: The Frescoes of the 12th-Century Rotunda at Znojmo : Between Historiography and Transcultural Perspectives
• Autoři: FOLETTI, Ivan (203 Česká republika, garant, domácí) a Jan KLÍPA (203 Česká republika).
• Vydání: 1. vyd. Rome, Central Europe as a Meeting Point of Visual Cultures : Circulation of Persons, Artifacts, and Ideas, od s. 17-52, 36 s. Studia Artium Medieavalium Brunensia 11, 2021.
• Nakladatel: Viella

Další údaje

• Originální jazyk: angličtina
• Typ výsledku: Kapitola resp. kapitoly v odborné knize
• Obor: 60401 Arts, Art history
• Stát vydavatele: Itálie
• Utajení: není předmětem státního či obchodního tajemství
• Forma vydání: tištěná verze "print"
• WWW: URL
• Kód RIV: RIV/00216224:14210/21:00123049
• Organizační jednotka: Filozofická fakulta
• ISBN: 978-88-3313-845-9
• Klíčová slova anglicky: Rotunda of Znojmo; history of art history; nationalist tensions; transcultural space; experiencing medieval art; model books; Kostoľany pod Tribečom; Castelseprio
• Štítky: rivok

Anotace

The Znojmo rotunda is one of the most important monuments of the Middle Ages in Central Europe. Investigated extensively in the last two centuries, the rotunda has been the object of increasing attention, especially given the dynastic cycle it represents. A glance at its historiography, however, shows how this attention was mainly the result of German and Czechoslovak nationalist tensions and ambitions. What seems to have remained in the shadows is, however, the transcultural dimension of this sacred space, especially concerning the cycle of Christ’s childhood. Moreover, its multisensory, social, and practical dimensions must be examined together with its possible liturgical furnishing to get a new and complex idea of this unique monument in the Central European panorama.