Detailed Information on Publication Record
2021
“(Re-) producing conversion from Rome to Beijing. Stories Related to Replicas of the Salus Populi Romani in the Late-sixteenth Century”
DE CARO, AntonioBasic information
Original name
“(Re-) producing conversion from Rome to Beijing. Stories Related to Replicas of the Salus Populi Romani in the Late-sixteenth Century”
Name in Czech
Přenos konverze z Říma do Pekingu Příběhy obrácení spojenés replikami Salus Populi Romani a mariánských zbožných obrazů v Číně na konci 16. století
Authors
DE CARO, Antonio (380 Italy, guarantor, belonging to the institution)
Edition
Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean. Seminarium Kondakovianum Series Nova, Turnhout, 2021, 2336-3452
Other information
Language
English
Type of outcome
Článek v odborném periodiku
Field of Study
60401 Arts, Art history
Country of publisher
Czech Republic
Confidentiality degree
není předmětem státního či obchodního tajemství
References:
Organization unit
Faculty of Arts
UT WoS
000752404100009
Keywords in English
Salus Populi Romani; Christianity in China; Jesuit missions in China; Matteo Ricci; Conversion
Tags
Tags
International impact, Reviewed
Změněno: 28/8/2024 08:41, Mgr. et Mgr. Stanislav Hasil
Abstract
V originále
Replicas of Marian images, especially the Salus Populi Romani, played an important role in the conversion of Chinese literati and commoners to Christianity. This article examines the diffusion of replicas of the Salus Populi Romani in the Ming Empire during the late sixteenth century, including both copies produced in situ and those coming from Europe. It focuses particularly on the role of miraculous and conversion tales related to the vision of Salus Populi Romani reproductions. This paper also focuses on the renowned conversion of the Chinese literatus (Paul) Xu Guangqi 徐光啓 (1562-1633) as it has been narrated by the Jesuit missionaries and the controversial role in his conversion played by a Marian devotional image. Conversely, this piece takes into consideration the role played by the production and reproduction of Marian devotional images in the Ming dynasty cultural context, including a new change in the enthusiasm in China for "Western" artworks and the wide diffusion of Roman Catholicism through "European" and "European-like" devotional images.