J
2021
How to ‘(not) arrive’ : Hélène Cixous’s and Sara Stridsberg’s drama vs. appropriation
ŠVACHOVÁ, Romana
Basic information
Original name
How to ‘(not) arrive’ : Hélène Cixous’s and Sara Stridsberg’s drama vs. appropriation
Authors
ŠVACHOVÁ, Romana (203 Czech Republic, guarantor, belonging to the institution)
Edition
Brünner Beiträge zur Germanistik und Nordistik, Brno, Masarykova univerzita, 2021, 1803-7380
Other information
Type of outcome
Článek v odborném periodiku
Field of Study
60403 Performing arts studies
Country of publisher
Czech Republic
Confidentiality degree
není předmětem státního či obchodního tajemství
RIV identification code
RIV/00216224:14210/21:00123267
Organization unit
Faculty of Arts
Keywords in English
Hélène Cixous; Sara Stridsberg; feminist postdramatic theatre; appropriation; the narrator in drama; the stream of consciousness in drama
Tags
International impact, Reviewed
V originále
In answer to Cara Berger, this article examines how Hélène Cixous’s play Portrait de Dora and Sara Stridsberg’s play Valerie ska bli president i Amerika approach as examples of feminist drama (and in case of Cixous, also an example of feminist postdramatic theatre) the problem of appropriation, an important question of feminist theories. The article maps the means the texts use to tackle the problem, or whether they resign on it, and discusses Cixous’s reinstalment of the narrator in drama and usage of a structure based on the narrative mode of the stream of consciousness as methods to highlight appropriation processes.
Links
MUNI/A/1375/2020, interní kód MU | Name: Germanistický výzkum v kontextu moderních lingvistických a literárněvědných přístupů | Investor: Masaryk University |
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Displayed: 31/10/2024 21:28