Detailed Information on Publication Record
2021
The Making of Samuel Beckett's Not I / Pas moi, That Time / Cette fois and Footfalls / Pas
LITTLE, James JosephBasic information
Original name
The Making of Samuel Beckett's Not I / Pas moi, That Time / Cette fois and Footfalls / Pas
Authors
LITTLE, James Joseph (372 Ireland, guarantor, belonging to the institution)
Edition
Brussels; London, 520 pp. 1st, 2021
Publisher
Bloomsbury Academic
Other information
Language
English
Type of outcome
Odborná kniha
Field of Study
60206 Specific literatures
Country of publisher
United Kingdom of Great Britain and Northern Ireland
Confidentiality degree
není předmětem státního či obchodního tajemství
Publication form
printed version "print"
References:
RIV identification code
RIV/00216224:14210/21:00123433
Organization unit
Faculty of Arts
ISBN
978-1-350-26904-0
Keywords in English
Samuel Beckett; genetic criticism; enactive cognition; theatre; mind
Tags
Tags
International impact, Reviewed
Změněno: 24/3/2022 14:57, Mgr. et Mgr. Stanislav Hasil
Abstract
V originále
This volume of the BDMP series charts the genesis of three iconic Beckett plays: Not I (1973), That Time (1976) and Footfalls (1976), all translated into French by their author. Including analyses of abandoned archival precursors – the 'Kilcool' drafts (1963) and the 'Petit Odéon' Fragments (1967–1968) – the book covers a crucial period in Beckett's playwriting career, during which his long-held ambition to stage a mouth babbling in the dark became a catalyst for some of his most innovative work. This volume provides a comprehensive guide to the history of the three plays, tracking their development from compositional manuscripts through to publication and performance. The book contends that these plays should be seen as stagings of the subject–object breakdown explored in Beckett's early writing. Drawing on the notes he took on psychology and psychoanalysis in 1934–1935, it examines the many psychological and psychoanalytic concepts that are used in the author's later stagings of the mind. The plays are analysed through the lens of enactive cognition: not as representations of particular psychological conditions, but as pieces which encourage active interpretation on the part of their audiences. By staging minds in states of breakdown that resist diagnosis, Not I / Pas moi, That Time / Cette fois and Footfalls / Pas enact the subject–object breakdown that is such a key part of Beckett's aesthetics.
Links
CZ.02.2.69/0.0/0.0/18_053/0016952, interní kód MU (CEP code: EF18_053/0016952) |
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