Murdering Sleep on the Early Modern English Stage

KRAJNÍK, Filip. Murdering Sleep on the Early Modern English Stage. Journal of Early Modern Studies. Firenze: Firenze University Press, 2021, vol. 10, No 1, p. 125-150. ISSN 2279-7149. Available from: https://dx.doi.org/10.13128/JEMS-2279-7149-12543.

Basic information

• Original name: Murdering Sleep on the Early Modern English Stage
• Authors: KRAJNÍK, Filip (203 Czech Republic, guarantor, belonging to the institution).
• Edition: Journal of Early Modern Studies, Firenze, Firenze University Press, 2021, 2279-7149.

Other information

• Original language: English
• Type of outcome: Article in a journal
• Field of Study: 60206 Specific literatures
• Country of publisher: Italy
• Confidentiality degree: is not subject to a state or trade secret
• WWW: Plný text článku.
• RIV identification code: RIV/00216224:14210/21:00123759
• Organization unit: Faculty of Arts
• Doi: http://dx.doi.org/10.13128/JEMS-2279-7149-12543
• UT WoS: 000725670900007
• Keywords (in Czech): raně novověké anglické divadlo; Shakespeare; spánek; theatergram; viktimizace
• Keywords in English: Early Modern English Theatre; Shakespeare; Sleep; Theatergram; Victimisation
• Tags: rivok
• Tags: International impact, Reviewed

Abstract

In early modern England, sleep enjoyed a special cultural status and was a frequent subject of both learned and popular discourse. As such, sleeping became a recurrent motif in popular culture, including theatre. The present article discusses a distinct dramaturgical employment of sleeping – the victimisation of a sleeping character on the stage. It seems that this theatrical pattern, or theatergram, was especially popular in the 1590s, when plays such as Henry VI, Part Two, Thomas of Woodstock, Edward II, The True Tragedy of Richard III and Shakespeare’s Richard III appeared, containing scenes of a murdered sleeping person with a number of dramatic and thematic similarities. Similarly, Jacobean plays such as Othello, The Devil’s Charter, The Maid’s Tragedy, The Valliant Welshman, The Faithful Friends, Cymbeline and The Tempest, all of which seem to have appeared within a decade and a half in the early 17th century, also employ this trope, whose dramaturgy seems to elaborate on the aforementioned Elizabethan histories. What is noteworthy is the fact that, although we do not know the authors or dates of composition of some of the works, they all revolve around William Shakespeare and his playing company. The present article traces the development of the theatregram of the victimised sleeper, arguing that its visual and thematic appeal, as well as dramatic versatility, made it a staple of late Tudor and early Stuart drama which contributed to the stylistic development of the early modern English theatre.

Links

• MUNI/A/1446/2020, interní kód MU: Name: Paradigms, strategies and developments - Anglophone literary and cultural studies

Investor: Masaryk University