Singing in the blend : stagings of Verdi's operatic Shakespeare
in the Czech Republic after 1989

J 2021

Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989

HAVLÍČKOVÁ KYSOVÁ, Šárka

Basic information

Original name

Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989

Authors

HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution)

Edition

Theatralia, Masarykova univerzita, 2021, 1803-845X

Other information

Language

English

Type of outcome

Článek v odborném periodiku

Field of Study

60403 Performing arts studies

Country of publisher

Czech Republic

Confidentiality degree

není předmětem státního či obchodního tajemství

References:

URL

RIV identification code

RIV/00216224:14210/21:00123765

Organization unit

Faculty of Arts

DOI

http://dx.doi.org/10.5817/TY2021-S-14

Keywords in English

Arrigo Boito; Conceptual blending; Conceptual metaphor; Dominik Neuner; Giuseppe Verdi; Lubor Cukr; Multimodal metaphor; National Theatre Prague; Opera; Otello; Prague State Opera; Theatre; Vladimír Nývlt

Abstract

V originále

The article deals with changes in creating scenography for productions of operas based on plays by William Shakespeare in former Czechoslovakia and the Czech Republic after 1989. The article discusses the procedure of a multimodal analysis of scenography based on blending theory approach. The 1991 production of Verdi’s Otello of the Prague State Opera directed by Dominik Neuner and revived in 2009 by Lubor Cukr is used as an example of creating scenographic space for operatic Shakespeare. The scenography is understood as not only visual but multimodal component of theatrical performance. Vladimír Nývlt’s concept of scenography for the Otello production is treated from the perspectives of multimodal analysis and examined in the context of other productions of operatic Shakespeare in the Czech Republic after 1989.

Links

MUNI/A/1533/2020, interní kód MU

Name: Výzkum divadelní kultury v interdisciplinárních přesazích II. (Acronym: DIVADLO)

Investor: Masaryk University

VF MG 21920060, interní kód MU

Name: Shakespeare in Central Europe after 1989: common heritage and regional identity (Acronym: SHK89)

Investor: International Visegrad Fund (IVF)

Citovat

HAVLÍČKOVÁ KYSOVÁ, Šárka. Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. Masarykova univerzita, 2021, vol. 24, Special Issue, p. 189-208. ISSN 1803-845X. Available from: https://dx.doi.org/10.5817/TY2021-S-14.

@article{1822704,
   author = {Havlíčková Kysová, Šárka},
   article_number = {Special Issue},
   doi = {http://dx.doi.org/10.5817/TY2021-S-14},
   keywords = {Arrigo Boito; Conceptual blending; Conceptual metaphor; Dominik Neuner; Giuseppe Verdi; Lubor Cukr; Multimodal metaphor; National Theatre Prague; Opera; Otello; Prague State Opera; Theatre; Vladimír Nývlt},
   language = {eng},
   issn = {1803-845X},
   journal = {Theatralia},
   title = {Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989},
   url = {https://digilib.phil.muni.cz/handle/11222.digilib/143681},
   volume = {24},
   year = {2021}
}

TY  - JOUR
ID  - 1822704
AU  - Havlíčková Kysová, Šárka
PY  - 2021
TI  - Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989
JF  - Theatralia
VL  - 24
IS  - Special Issue
SP  - 189-208
EP  - 189-208
PB  - Masarykova univerzita
SN  - 1803845X
KW  - Arrigo Boito
KW  - Conceptual blending
KW  - Conceptual metaphor
KW  - Dominik Neuner
KW  - Giuseppe Verdi
KW  - Lubor Cukr
KW  - Multimodal metaphor
KW  - National Theatre Prague
KW  - Opera
KW  - Otello
KW  - Prague State Opera
KW  - Theatre
KW  - Vladimír Nývlt
UR  - https://digilib.phil.muni.cz/handle/11222.digilib/143681
N2  - The article deals with changes in creating scenography for productions of operas based on plays by William Shakespeare in former Czechoslovakia and the Czech Republic after 1989. The article discusses the procedure of a multimodal analysis of scenography based on blending theory approach. The 1991 production of Verdi’s Otello of the Prague State Opera directed by Dominik Neuner and revived in 2009 by Lubor Cukr is used as an example of creating scenographic space for operatic Shakespeare. The scenography is understood as not only visual but multimodal component of theatrical performance. Vladimír Nývlt’s concept of scenography for the Otello production is treated from the perspectives of multimodal analysis and examined in the context of other productions of operatic Shakespeare in the Czech Republic after 1989.
ER  -

HAVLÍČKOVÁ KYSOVÁ, Šárka. Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. \textit{Theatralia}. Masarykova univerzita, 2021, vol.~24, Special Issue, p.~189-208. ISSN~1803-845X. Available from: https://dx.doi.org/10.5817/TY2021-S-14.

Detailed Information on Publication Record