HAVLÍČKOVÁ KYSOVÁ, Šárka. Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. Masarykova univerzita, 2021, vol. 24, Special Issue, p. 189-208. ISSN 1803-845X. Available from: https://dx.doi.org/10.5817/TY2021-S-14.
Other formats:   BibTeX LaTeX RIS
Basic information
Original name Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989
Authors HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution).
Edition Theatralia, Masarykova univerzita, 2021, 1803-845X.
Other information
Original language English
Type of outcome Article in a journal
Field of Study 60403 Performing arts studies
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14210/21:00123765
Organization unit Faculty of Arts
Doi http://dx.doi.org/10.5817/TY2021-S-14
Keywords in English Arrigo Boito; Conceptual blending; Conceptual metaphor; Dominik Neuner; Giuseppe Verdi; Lubor Cukr; Multimodal metaphor; National Theatre Prague; Opera; Otello; Prague State Opera; Theatre; Vladimír Nývlt
Tags rivok
Tags International impact, Reviewed
Changed by Changed by: Mgr. et Mgr. Lucie Racyn, učo 445546. Changed: 19/5/2022 13:20.
Abstract
The article deals with changes in creating scenography for productions of operas based on plays by William Shakespeare in former Czechoslovakia and the Czech Republic after 1989. The article discusses the procedure of a multimodal analysis of scenography based on blending theory approach. The 1991 production of Verdi’s Otello of the Prague State Opera directed by Dominik Neuner and revived in 2009 by Lubor Cukr is used as an example of creating scenographic space for operatic Shakespeare. The scenography is understood as not only visual but multimodal component of theatrical performance. Vladimír Nývlt’s concept of scenography for the Otello production is treated from the perspectives of multimodal analysis and examined in the context of other productions of operatic Shakespeare in the Czech Republic after 1989.
Links
MUNI/A/1533/2020, interní kód MUName: Výzkum divadelní kultury v interdisciplinárních přesazích II. (Acronym: DIVADLO)
Investor: Masaryk University
VF MG 21920060, interní kód MUName: Shakespeare in Central Europe after 1989: common heritage and regional identity (Acronym: SHK89)
Investor: International Visegrad Fund (IVF)
PrintDisplayed: 20/7/2024 07:30