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@article{1827819, author = {Foletti, Ivan}, article_number = {1}, keywords = {Aniconic Images; Ornamentum; San Vincenzo al Volturno; Sant’Agnese in Rome; Golden Altar of Ambrose; Khachkars; “Crista” of Suger of Saint Denis; Malevich}, language = {eng}, issn = {0214-896X}, journal = {Codex Aqvilarensis}, title = {The Tangible and the Invisible : from Faces to Concepts, and to Malevich}, url = {https://www.romanicodigital.com/otros-contenidos/revista-codex-aquilarensis}, volume = {37}, year = {2022} }
TY - JOUR ID - 1827819 AU - Foletti, Ivan PY - 2022 TI - The Tangible and the Invisible : from Faces to Concepts, and to Malevich JF - Codex Aqvilarensis VL - 37 IS - 1 SP - 305-318 EP - 305-318 SN - 0214896X KW - Aniconic Images KW - Ornamentum KW - San Vincenzo al Volturno KW - Sant’Agnese in Rome KW - Golden Altar of Ambrose KW - Khachkars KW - “Crista” of Suger of Saint Denis KW - Malevich UR - https://www.romanicodigital.com/otros-contenidos/revista-codex-aquilarensis N2 - How to represent God was a crucial question in the early Middle Ages. While the idea that the face of Christ could be depicted was accepted, alternative versions emerged over the centuries. Following an initial phase with devotional images oscillating between mimetic and schematic, aniconic images appeared more prevalently. Aniconic ornamentum then became one of the most effective ways to give a tangible dimension to the invisible god. ER -
FOLETTI, Ivan. The Tangible and the Invisible : from Faces to Concepts, and to Malevich. \textit{Codex Aqvilarensis}. 2022, vol.~37, No~1, p.~305-318. ISSN~0214-896X.
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