k 2022

Multilingualism in Contemporary Queer Postcolonial Life Writing

ZLÁMALOVÁ, Karolína

Základní údaje

Originální název

Multilingualism in Contemporary Queer Postcolonial Life Writing

Vydání

Outside/rs, Postgraduate & Community Conference 2022, 2-3 April, Brighton, UK, 2022

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60206 Specific literatures

Stát vydavatele

Velká Británie a Severní Irsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

multilingualism; queer studies; identity; life writing

Příznaky

Mezinárodní význam, Recenzováno
Změněno: 31. 1. 2023 18:19, Mgr. Jana Pelclová, Ph.D.

Anotace

V originále

Expressing a queer narrative identity can be a challenge as the authors face the limits of the language imbued with binarism and heteronormativity. Navigating the language of the oppressor connects them with postcolonial and immigrant authors, who utilize strategies such as multilingualism “to complicate traditional, rigid categories of identity” (Bar-Itzhak 3). Writing primarily in English while including multilingual elements, the queer postcolonial authors acknowledge its contradictory role: although in queer communities English connects and provides mainstream terminology for non-normative gender/sexual identities, it simultaneously serves as a force of hegemony and universalization in the postcolonial situation in which “the shape and construction of the meanings and definitions of [sexuality] related concepts necessarily reflect realities and experiences outside Africa” (Tamale 12). The conference paper deals with two autobiographical texts by queer authors and discusses the forms and roles of multilingualism they employ. Written in English and interwoven with African influences, Freshwater (2018) by Akwaeke Emezi is an autobiographical novel drawing on Igbo ontology; Chronology (2018) by Zahra Patterson is an autobiographical essay consisting of emails, fragments of articles, and notes. The scope and the form of multilingualism employed by Emezi and Patterson differ – in Chronology, a significant part of the text is written in Sotho; in Freshwater, the passages in Igbo are comparably scarce. However, Emezi adopts alternative, “nonwestern” (spiritual and poetic instead of medical) register to address gender, sexuality, and health-related themes. Serving the same purposes, this choice of an alternative register can be paralleled with the use of the “true” multilingualism. While the concrete strategies differ, ultimately both authors employ multilingualism to challenge the Western conceptualization of gender, sexuality, and identity; to indicate the unsuitability of English language for describing intimate aspects of their lives and identities; and to express fragmentation and discontinuity of these identities.

Návaznosti

MUNI/A/1478/2021, interní kód MU
Název: Paradigms, strategies and developments - Anglophone literary and cultural studies II
Investor: Masarykova univerzita, Paradigms, strategies and developments - Anglophone literary and cultural studies II