Detailed Information on Publication Record
2022
Le livre sur le trone: une image de l'orthodoxie dans la Méditerranée de l'Antiquité tardive (et au-dela')
FOLETTI, IvanBasic information
Original name
Le livre sur le trone: une image de l'orthodoxie dans la Méditerranée de l'Antiquité tardive (et au-dela')
Name (in English)
The book on the throne: an image of orthodoxy in the Mediterranean of late antiquity (and beyond)
Authors
FOLETTI, Ivan (203 Czech Republic, guarantor, belonging to the institution)
Edition
Rencontres Imago, Université de Poitiers, 2022
Other information
Language
French
Type of outcome
Vyžádané přednášky
Field of Study
60400 6.4 Arts
Country of publisher
France
Confidentiality degree
není předmětem státního či obchodního tajemství
RIV identification code
RIV/00216224:14210/22:00119730
Organization unit
Faculty of Arts
Keywords in English
Empty throne; Ecumenical Council; Liturgical Installation; Orthodoxy; Talin; Santa Maria Maggiore; San Crisogono; Hagia Sophia
Změněno: 4/4/2022 16:29, prof. Ivan Foletti, MA, Docteur es Lettres, Docent in Church History
V originále
The lecture was organised as follows: the starting point for this study was the apsidal decoration of the church of Talin, where an empty throne – with a book depicted on it – dominated the space. This image was contextualised in the framework of throne representations with various attributes, which allow us to understand the dissemination of this visual (and ritual) concept around the Mediterranean. Thirdly, the political significance of thrones with books between the fifth and ninth centuries was analysed, and finally, it was explored the political-ecclesiastical context in which the Talin image was painted.
In English
The lecture was organised as follows: the starting point for this study was the apsidal decoration of the church of Talin, where an empty throne – with a book depicted on it – dominated the space. This image was contextualised in the framework of throne representations with various attributes, which allow us to understand the dissemination of this visual (and ritual) concept around the Mediterranean. Thirdly, the political significance of thrones with books between the fifth and ninth centuries was analysed, and finally, it was explored the political-ecclesiastical context in which the Talin image was painted.
Links
| GF21-01706L, research and development project |
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