TURZÍKOVÁ, Tereza. Gender in Czech theater and performance art. In Fifth EASTAP Conference Theatrical Mind: Authorship, Staging and Beyond. Milano. 2022.
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Basic information
Original name Gender in Czech theater and performance art
Name in Czech Gender v českém divadle a performance
Authors TURZÍKOVÁ, Tereza.
Edition Fifth EASTAP Conference Theatrical Mind: Authorship, Staging and Beyond. Milano, 2022.
Other information
Original language English
Type of outcome Presentations at conferences
Field of Study 60403 Performing arts studies
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW Fifth EASTAP Conference Theatrical Mind: Authorship, Staging and Beyond
Organization unit Faculty of Arts
Keywords (in Czech) české divadlo; performance art; gender; feminismus; queer studies
Keywords in English Czech theater; Czech performance; gender; feminism; queer studies
Tags International impact
Changed by Changed by: Mgr. Tereza Teerink Turzíková, učo 462729. Changed: 4/1/2023 09:55.
Abstract
In socialist Czechoslovakia, feminism was regarded as an unnecessary bourgeois relic and back then, almost none of the female artists wanted to be associated with the term. Using recent findings from various feminist theories and queer studies, I would like to examine the mechanisms that have been shaping Czech performative culture from 1989 until today. With the post-revolutionary excitement about Western culture, feminism together with queer studies started to penetrate Czech academia and art, predominantly in fine arts and performance art. The contemporary theatrical and performance scene contains various forms of feminist and queer expression, both subtle and radical. This may include narrative changes in written drama, focus on the female/queer body in dance or physical theater, experimental performances and drag. The theoretical framework of this project relies mainly on feminist critiques drawing from poststructuralist philosophy (the concept of gender performativity by Judith Butler) and radical feminist theories of last decades (e.g., xenofeminism and glitch feminism). On several representative artworks, I aim to provide analysis of contemporary tendencies in theater and performance art under the lens of feminism and queer theory. I hope to deconstruct the relations and tensions between the private and the political, the body and society, and performance and everyday life. This way, my project should offer a reflection of complex performative phenomena as well as a possible revision of the Czech theoretical discourse.
Links
MUNI/A/1528/2021, interní kód MUName: Výzkum divadelní kultury v interdisciplinárních přesazích III. (Acronym: DIVADLO)
Investor: Masaryk University
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