Detailed Information on Publication Record
2022
The Past, Present and Future in Contemporary Australian Eco-memoir
HORÁKOVÁ, MartinaBasic information
Original name
The Past, Present and Future in Contemporary Australian Eco-memoir
Authors
HORÁKOVÁ, Martina (203 Czech Republic, guarantor, belonging to the institution)
Edition
Life-Writing : Imagining the Past, Present and Future, 14–17 June 2022, University of Turku, Finland, 2022
Other information
Language
English
Type of outcome
Prezentace na konferencích
Field of Study
60206 Specific literatures
Country of publisher
Finland
Confidentiality degree
není předmětem státního či obchodního tajemství
References:
RIV identification code
RIV/00216224:14210/22:00129109
Organization unit
Faculty of Arts
Keywords in English
Australian eco-memoir; Mark Tredennick; Angela Rockel; settler belonging
Tags
Tags
International impact, Reviewed
Změněno: 10/2/2023 08:56, Mgr. Jana Pelclová, Ph.D.
Abstract
V originále
In modern Australian memoir, the narratives of the self are often framed with narratives of specific landscapes, places, regions. This interweaving of place- and self-narration has a long tradition which goes back to the late 19th century formation of a distinct national identity for settler Australians. In this tradition, settler belonging (both national and personal) is inseparably tied to the process of place-making, which is, however, heavily marked by the history of European colonization and dispossession of Indigenous people. Thus, life writing in Australia is also inescapably political. My presentation will examine recent Australian landscape and eco-memoir, making references particularly to Mark Tredinnick’s The Blue Plateau: An Australian Pastoral (2009), Tim Winton’s Island Home: A Landscape Memoir (2015), Kim Mahood’s Position Doubtful: Mapping Landscapes and Memories (2016) and Angela Rockel, Rogue Intensities (2019) as representative examples of a range of strategies adopted by settler authors to articulate their sense of belonging which in Australia remains contested. Tredinnick makes a collective tribute to a place and its people, celebrating the symbiosis through minute, staged histories of forgotten families, while inscribing his self in the larger history of Australian settlement. Mahood’s multimodal landscape memoir interweaves narratives of the self, the process of representing quintessential Australian landscape—the Outback—in her own artwork, while framing all of that with a commentary on current politics of Indigenous-settler relationships. Finally, Rockel wrote a highly poetic, experimental journal documenting five years of her life spent in rural Tasmania and recording her observations of nature, farming, family and community, history, mythology, and literature. I will argue that these eco-memoirs capture Australian settlers’ strategy of securing a legitimate sense of belonging through an intimate knowledge of their environments, while often tiptoeing around, if not evading, the continuing, and still largely unmet, calls for the sovereignty of Indigenous Country.
Links
GA19-11234S, research and development project |
|