On Erasures in Modern Architecture : Catholic "Modernism" and the Historiography of Church Building Between the Wars

RAMPLEY, Matthew. On Erasures in Modern Architecture : Catholic "Modernism" and the Historiography of Church Building Between the Wars. In Brandow-Faller, Megan; Morowitz, Laura. Erasures and Eradications in Modern Viennese Art, Architecture and Design. 1. vyd. New York: Routledge, 2022. s. 224-238. ISBN 978-1-003-17690-9. doi:10.4324/9781003176909-19.

Základní údaje

• Originální název: On Erasures in Modern Architecture : Catholic "Modernism" and the Historiography of Church Building Between the Wars
• Autoři: RAMPLEY, Matthew (826 Velká Británie, garant, domácí).
• Vydání: 1. vyd. New York, Erasures and Eradications in Modern Viennese Art, Architecture and Design, od s. 224-238, 15 s. 2022.
• Nakladatel: Routledge

Další údaje

• Originální jazyk: angličtina
• Typ výsledku: Kapitola resp. kapitoly v odborné knize
• Obor: 60401 Arts, Art history
• Stát vydavatele: Spojené státy
• Utajení: není předmětem státního či obchodního tajemství
• Forma vydání: elektronická verze "online"
• WWW: URL
• Organizační jednotka: Filozofická fakulta
• ISBN: 978-1-003-17690-9
• Doi: http://dx.doi.org/10.4324/9781003176909-19
• Klíčová slova anglicky: modernism; architecture; church architecture; historiography
• Štítky: rivok
• Příznaky: Mezinárodní význam, Recenzováno

Anotace

This chapter deals with the former, which in many respects perpetuates masculine myths of heroic creative design, than with the latter and the fact that histories of modern architecture tend to privilege certain buildings such as housing estates, factories, office buildings, monuments, warehouses, exhibition buildings and the villas of bourgeois patrons. The generic reasons relate to the broad difficulty of finding a place for buildings devoted to the sacred and the community of the faithful in an account in which modernity is equated with secularization. Its historicising features such as the rose window and arched windows along the side of the nave stand in contrast to the overbearing and stark pylons of the front. A Saint Joseph church in Ottakring. The church has a simple design featuring straight geometric patterns and less elaborate artworks.Source: Photo: Martin Gerlach/Wien Museum. A view inside the Saint Joseph church in Ottakring. There are no architectural decorations

Návaznosti

• 786314, interní kód MU: Název: Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE (Akronym: CRAACE)

Investor: Evropská unie, Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE, ERC (Excellent Science)