2022
Contouring the Essence of Nothingness in Beckett’s Texts for Nothing
KOKH, MariiaZákladní údaje
Originální název
Contouring the Essence of Nothingness in Beckett’s Texts for Nothing
Autoři
KOKH, Mariia
Vydání
20th International Student Conference. Institute of Czech Literature of the CAS in cooperation with Faculty of Arts of Palacký University, Faculty of Education of Charles University, Faculty of Arts of Masaryk University, 4-5 May 2022, Olomouc, Czech Republic, 2022
Další údaje
Jazyk
angličtina
Typ výsledku
Prezentace na konferencích
Obor
60206 Specific literatures
Stát vydavatele
Česká republika
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Organizační jednotka
Filozofická fakulta
Klíčová slova anglicky
Nothingness; texts; context; meaninglessness; expression; Samuel Beckett
Změněno: 3. 2. 2024 21:29, Mgr. Jana Pelclová, Ph.D.
Anotace
V originále
On the international literary scene Samuel Beckett has, to a considerable degree, established himself as a connoisseur of nothingness. Although this fact manifests itself primarily through his dramas, even a cursory glance at Beckett’s prose works would enable the reader to uncover mentioned problem in an unapologetically explicit context. This work is devoted to the outlining of the essence of nothingness in Samuel Beckett’s collection Texts for Nothing. Basing on the series of thirteen texts, it analyzes the core of the named concept not only from the semantical and contextual viewpoint, but also linguistically. The language is being put under scrutiny both in terms of the narrator’s language competence and, generally, as a phenomenon and namely as the contour for delineating the essence of the notion as abstract as “nothing” – if not innately given, then obtained in the process of interpretation. The analysis also takes into the account such problematic aspects as the assumed, inherently impossible expression of nothingness and the failure of verbalization brought about by such process.
Návaznosti
MUNI/A/1478/2021, interní kód MU |
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