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@atricle{2246518, author = {Havlíčková Kysová, Šárka}, article_location = {Brno}, article_number = {1}, doi = {http://dx.doi.org/10.5817/TY2022-1-12}, language = {eng}, issn = {1803-845X}, journal = {Theatralia}, title = {Meaning-making in contemporary operatic performance}, volume = {25}, year = {2022} }
TY - ID - 2246518 AU - Havlíčková Kysová, Šárka PY - 2022 TI - Meaning-making in contemporary operatic performance JF - Theatralia VL - 25 IS - 1 SP - 172-176 EP - 172-176 PB - MUNI PRESS SN - 1803845X N2 - Review of Tereza Havelková's book "Opera as Hypermedium. Meaning-Making, Immediacy, and the Politics of Perception". New York: Oxford University Press, 2021. 200 pp. ISBN-13: 9780190091262. ER -
HAVLÍČKOVÁ KYSOVÁ, Šárka. Meaning-making in contemporary operatic performance. \textit{Theatralia}. Brno: MUNI PRESS, 2022, vol.~25, No~1, p.~172-176. ISSN~1803-845X. Available from: https://dx.doi.org/10.5817/TY2022-1-12.
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